American fiction -- 19th century; Artists -- Fiction
Van Berg laughed with the others, but never for a moment did he
lose the uneasy consciousness that he might possibly be misjudging
Ida Mayhew. Although Mr. Burleigh's portly form occupied her
chair, it did not prevent him from seeing a pale tearful face that
was far too beautiful, far too free from all gross and sensual
elements, to harmonize with the character he was supposing her to
possess. He re-called what she had said about the "fragrance" of
the rose-bud he had torn and tossed away, rising to him like "a
low, timid appeal for mercy." Had she shyly and timidly appealed
to him for a kinder judgement that evening, and had he been too
blind and prejudiced to see anything save the stains left by Sibley's
name? If she proposed to go to Sibley, why was she not like him
in manner? It was strange that one akin to such a fellow should
fasten wild flowers on her bosom, and still more strange that they
should be so becoming.
The cool and sagacious Van Berg, who so prided himself on his
correct judgment, was decidedly perplexed and perturbed.
Chapter XXXV. Desperately Wounded.
Stanton basked in Miss Burton's smiles until a significant look
from Mrs. Mayhew reminded him of his disagreeable task, for the
performance of which there seemed a greater urgency than ever.
Ida's rather precipitate withdrawal from the supper-room was another
proof in their eyes that some mischief was brewing.
He listened at her door for a moment, and could not fail to hear
the stifled sound of her passionate grief; then knocked, but there
was no response.
"Ida," he said, in a kinder tone than usual, "I want to see you."
She tried to quiet her sobbing, and after a moment faltered: "You
had better leave me to myself."
"No, I must see you," he said kindly but firmly. "I have something
to say to you."
The poor girl was so lonely and heart-broken, that she was ready
for the least ray of comfort. She now saw that she was ignorant
and exceedingly faulty. She was ready to admit the fact that she
had acted very foolishly and unwisely, and that circumstances were
against her. Ill-omened circumstances have brought to condemnation
and death innocent men. Ida would not now claim that she was
innocent of blame, but events had seemed so unfortunate of late,
that she was half ready to think that some vindictive hand was
shaping them.
But she did not feel that she was now worse than she had been.
On the contrary, she had longings for a better life and a broader
culture such as she had never experienced before. The artist's
eyes, in searching for her woman's soul, revealed to her that she
had been a fool; but now she would gladly become a woman if some
one would only point out the way.
Public-domain text, read in full here on John Shaqi.
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