American fiction -- 19th century; Artists -- Fiction
"Mother and Ik might learn that I am not wholly bad if they would
only take the trouble to find out," she murmured. "Ik used to be
kind-hearted, and I thought he cared a little for me, in spite of
our sparing. Why is he so hard on me of late? Why can't he believe
that I am just as capable of detesting Sibley as he is? Perhaps
he does mean to say a kind word, and give me a chance to explain."
These thoughts passed through her mind as she lighted the gas and
bathed her face, that she might, to some extent, remove the evidences
of grief.
Stanton misunderstood her wholly. The new Ida, that deep feeling
and recent events were developing, was unknown to him, and he had
been too preoccupied to see the changes, even had they been more
apparent. He did feel a sort f commiseration for her evident
suffering, for he was too kind-hearted not to sympathize even
when he believed pain to be well-deserved. But he thought he must
still deal with her as a wayward, passionate child, as he had in
the past, when she cried till she obtained what she wished, right
or wrong. He now believed that she was as fully bent on carrying
out her own unreasonable will, but remembered that she was no
longer a child, and might be guilty of folly that society would
not forgive as childish. Therefore he wished to see her face, and
was disposed to be wary and observant.
He gave her a quick, keen glance as he entered and then said:
"What's the matter, Ida? Why do you sit here in the shadows? It's
as dark as a pocket;" and he turned the gas higher.
She did not answer, but sat down with her face averted from him and
the light. "He has come here as a spy, and not as a comforter,"
she thought.
He looked at her a moment, mistook her silence as an expression of
the settled obstinacy of her purpose.
"Well, Ida," he said, a little irritably, "I know you of old. I
suppose you will have your own way as usual. If we must submit,
why then we must; but you can't expect us to do so with any grace.
If you won't give up this Sibley, for heaven's sake let your mother
arrange the matter after the fashion of the day! Out of regard
for your family, go through all the regular formalities."
She started violently and then leaned back in her chair as if she
were faint, and half stunned by a blow. He regarded her manner as
evidence of guilt, or, at least, of proposed criminal imprudence
on her part, and went on still more plainly:
"If you can't exist without Sibley--why, marry him; but see to it
that there is a plenty of priest, altar, and service; for you know,
or you ought to, that he's a man who can't be trusted a hair's
breadth."
She averted her face still farther, and said in a low constrained
tone:
"My family, then, consent that I should marry Mr. Sibley?"
"No; we submit to the marriage as an odious necessity, on condition
that you put the whole matter into your mother's hands and allow
her to arrange everything according to society's requirements."
Public-domain text, read in full here on John Shaqi.
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