American fiction -- 19th century; Artists -- Fiction
He soon threw aside his work. The inspiration of the morning was
all gone, and in its place had come an unaccountable dissatisfaction
with himself and the world in general. He had left the garden with
a sense of exhilaration that made life appear beautiful and full
of richest promise. He had been saved from disaster that would
have been crushing; his object in coming to the country had been
accomplished, and the Undine he discovered HAD received a woman's
soul that was blending the perfect but discordant features into an
exquisitely beautiful face. The result, certainly, had not been
brought about as he expected, nor in a way tending to increase his
self-complacency, but he felt that he would be a broader and better
man for the ordeal through which he had passed. He also realized
that the changes in Ida were not the superficial ones he had
contemplated. he had regarded her face and character as little
better than a piece of canvas on which there was already a drawing
of great promise, but very defective. By erasures here and skillful
touches there he had hoped to assist nature in carrying out her
evident intentions. The tragedy that well-nigh resulted taught
him that human lives are dangerous playthings, and that quackery
in attempting spiritual reform involved more peril than ignorant
interference with physical laws.
And yet that morning had proved that the desired change had been
accomplished, even more thoroughly than he had hoped. The dangerous
period of transition had been safely passed, and the beautiful
face expressed that which was more than womanly refinement, thought
and culture. These elements would develop with time. But the
countenance on which he had seen the impress of vanity, pride,
and insincerity, and later the despair of a wronged and desperate
woman, had grown open and childlike again as she told him her story
and read to Mr. Eltinge; and in it, as through a clear transparency,
he had witnessed the kindling light of the Christian faith his
mother had taught him to respect at least, long years before.
He had left the garden with the belief that he had secured the
friendship of this rare Undine, and that she would bring to his
art an inspiration like that of which he was so grandly conscious
while making the picture in which she formed the loveliest feature.
He had expected with instinctive certainty that she would now be drawn
towards the woman he hoped to make his wife, and that friendships
would be cemented that would last through life.
Public-domain text, read in full here on John Shaqi.
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