American fiction -- 19th century; Artists -- Fiction
But in suggesting this hope and expectation to Ida it had been as
if a cloud had suddenly passed before the sun, and now the whole
sky was darkening. Jennie Burton seemed more shadowy and remote
than ever--more wrapped up in a past in which she had no part; and
the maiden into whose very soul he thought he had looked became
inscrutable again in the distant courtesy of her manner. Even
during the brief hour of dinner he was led to feel that he had no
inevitable place in the thoughts of either of the ladies, and this
impression was increased as he sought their society later in the
day.
Moreover, in his changed mood he again began to chafe irritably at
Ida's associations. She herself had been thoroughly redeemed in
an artistic point of view, and it was his nature to look at things
in this light. While he shuddered at her terrible purpose he
recognized the high, strong spirit which in it perversion and wrong
had rendered the deed possible, and her dark design made a grand
and sombre background against which the maiden he had sketched that
morning was all the more luminous. Hitherto everything connected
with her change of character had been not only conventional, but
had appealed to his aesthetic temperament as singularly beautiful.
The quaint garden with its flowers, brook, and allegorical tree
were associations that harmonized with Ida's loveliness, while
Mr. Eltinge, who had rendered such an immeasurable service to them
both, realized his best ideal of dignified and venerable age.
But when he compared her spiritual father with the man she expected
that night, he found his whole nature becoming full of irritable
protest and dissatisfaction.
"This morning," he muttered, "she appeared capable of realizing a
poet's dreams, but already I see the hard and prosaic conditions
of her lot dwarfing her growth and throwing their grotesque shadows
across her beauty. What can she do while inseparable from such
a father and mother? The more unlike them she becomes the more
hideous they will appear. Mrs. Mayhew is essentially lacking
in womanly delicacy, and mere coarseness is more tolerable than
fashionable, veneered vulgarity. Mr. Mayhew is a spiritless wretch
whose only protest against his wife's overbearance and indifference
has been intoxication. Linked on either side to so much deformity,
what chance has the daughter unless she escapes from them and
develops a separate life? But are not the ties of nature too close
to permit such escape, and would it not be wrong to seek it? It
certainly would not be Christian, and I am confident Mr. Eltinge
would not advise it. Her lot is indeed a cruel one. No wonder she
clings to Mr. Eltinge and the garden, and that the outside world
seems full of thorns and thistles. Well, I pity her from the depths
of my heart, and cannot see how she will solve the harsh problem
of her life. I imagine she will soon become discouraged and seek
by marriage to obliterate her present ties as far as possible."
Public-domain text, read in full here on John Shaqi.
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