American fiction -- 19th century; Artists -- Fiction
When, late in the afternoon, her cousin, with mock politeness, assisted
her to alight at the entrance of the hotel, Ida was compelled to
feel that she had indeed been the chief victim of her own spite.
but, with the usual logic of human nature, she never thought of
blaming herself, and her resentment was chiefly directed against
the man whose every word and glance, although he was but a stranger,
had seemed to possess a power to annoy and wound from the first.
She felt an almost venomous desire to retaliate; but he appeared
invulnerable in his quiet and easy superiority, while she, who
expected, as a matter of course, that all masculine thoughts should
follow her admiringly, had been compelled to see that his critical
eyes had detected that in her which had awakened his contempt.
"I'll teach him this evening, when my gentlemen friends arrive,
how ridiculous are his airs," she muttered, as she went to her room
and sought to enhance her beauty by all the arts of which she was
the mistress. "I'll show him that there are plenty who can see
what he cannot, or will not. Because he is an artist, he need not
think he can face me out of the knowledge of my beauty, the existence
of which I have been assured of by so many eyes and tongues ever
since I can remember."
When she came down to await the arrival of the stages and carriages,
she was indeed radiant with all the beauty of which she was then
capable. Her neck and shoulders, with their exquisite lines and
curves, were more suggestively revealed than hidden by a slight
drapery of gauze-like illusion, and her white rounded arms were
bare. She trod with the light airy grace of youth, and yet with
the assured manner of one who is looking forward to the familiar
experiences of a reigning belle.
Van Berg, from his quiet corner of observation, was compelled to
admit that, seen at her present distance, she almost embodied his
best dreams, and might do so wholly were there less of the fashionable
art of the hour, and more of nature in her appearance. But he knew
well that if she came nearer, and spoke so as to reveal herself,
the fatal defect in her beauty would be as apparent as a black line
running athwart the sculptured face of a Greek goddess. The only
question with him was, did the ominous deformity lie so near the
surface that it could be refined away, or was it ingrained into
the very material of her nature, thus forming an essential part
of herself? He feared that the latter might be true, or that the
remedy was far beyond his skill or power; but every glance he caught
of the girl, as with her mother she paced the farther end of the
piazza, deepened his regret, as an artist, that so much beauty
should be in degrading bondage to a seeming fool.
Chapter VI. Reckless Words and Deeds.
Public-domain text, read in full here on John Shaqi.
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