American fiction -- 19th century; Artists -- Fiction
"Heigho! Ik, is that you?" said he of the palette, good-naturedly;
and rising slowly he gave a lingering look at his work, then turned
and greeted his friend with the quiet cordiality of long and familiar
acquaintance. "What a marplot you are with your idle ways!" he
added. "Sit down here and make yourself useful for once by doing
nothing nothing for ten minutes. I am in just the mood and have
just the light for a bit of work which perhaps I can never do as
well again," and the artist returned promptly to his picture.
In greeting his friend he had revealed that he was above middle
height, that he had full black eyes that were not only good for
seeing, but could also, if he chose, give great emphasis to his
words, and at times be even more expressive. A thick mustache
covered his lip, but the rest of his face was cleanly shaven, and
was strong and decided in its outlines rather than handsome.
"They say a woman's work is never done," remarked Ik Stanton, dropping
into the easiest chair in the studio, "and for this reason, were
there no other, your muse is evidently of the feminine persuasion.
I also admit that she is a lady of great antiquity. Indeed I would
place her nearer to the time when 'Adam delved and Eve span' than
to the classic age."
"My dear Ik," responded the artist, "I am often at a loss to know
whether I love or despise you most. If a little of the whirr of
our great grandam's spinning wheel would only get into your brain
the world might hear from you. You are a man of unbounded stomach
and unbounded heart, and so you have won all there is of me except
my head, and that disapproves of you."
"A fig for the world! what good will it do me or it to have it hear
from me? you ambitious fellows are already making such a din that
the poor old world is half ready for Bedlam; and would go stark mad
were it not for us quiet, easy-going people, who have time for a
good dinner and a snack between meals. You've got a genius that's
like a windmill in a trade wind, always in motion; you are worth
more money than I shall ever have, but you are the greatest drudge
in the studio building, and work as many hours as a house-painter."
"When your brain once gets in motion, Ik, fiction will be its natural
product. You must admit that I have not painted many pictures."
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account