American fiction -- 19th century; Artists -- Fiction
When she dismissed her little audience there were traces of tears
on some of the children's faces, proving that she could tell
a pathetic, as well as a jolly story; and Van Berg observed with
interest how the power of her magnetism kept them lingering near
her even after she entered the parlor and sought a quiet nook near
the old gentleman and lady to whom she had been reading the previous
evening.
Mrs. Chints, who liked to be prominent on all occasions, very
proudly felt that sacred music would be the right thing on Sabbath
evening, and, with a few of hew own ilk, was giving a florid and
imperfect rendering of that peculiar style of composition that
suggests a poor opera while making a rather shocking and irreverent
use of words taken from Scriptures.
Van Berg and Stanton, who were out on the piazza, were ready to
grate their teeth in anguish, finding the narcotic influence of
the strongest cigar no match for Mrs. Chints's voice.
Suddenly that irrepressible lady spied Miss Burton, and she swooped
down upon her in a characteristic manner, exclaiming:
"You can't decline; you needn't say you don't; I've heard you. If
you sing half as well for us as you did to Mrs. Burleigh's baby
this afternoon, we'll be more than satisfied. Now come; one sweet
solo--just one."
Stanton craned his neck from where he sat to see the result of this
onslaught, but Miss Burton shook her head.
"Well, then, won't you join in with us?" persisted Mrs. Chints.
"Sacred music is so lovely and appropriate on Sunday night."
"You are right in that respect, Mrs. Chints. If it is the wish of
those present I think some simple hymns in which we can all join
might be generally enjoyed."
"Now, my dear, you have just hit it," said the old lady at her
side. "I, for one, would very much like to hear some simple music
like that we had when I was young."
The old lady's preference was taken up and echoed on every side.
Indeed the majority were ready for any change from Mrs. Chints's
strident tones.
"Well, my dear," said the lady, "it shall be as you say." Then she
added, "sotto voce," with a complacent nod, "I suppose the music
we were giving is beyond the masses, but if you could once hear
Madame Skaronni render it in our choir at the Church of the (something
that sounded like 'pica-ninny,' as by Mrs. Chints pronounced) you
would wish for no other. Will you play, my dear?"
"Ah, yes, please do," exclaimed some of the children who had gathered
around her.
"In mercy to us poor mortals for whom there is no escape save going
to bed, please comply," whispered the old lady in her ear.
The light in Miss Burton's eyes was mirthful rather than sacred as
she rose and went to the piano, and at once an air of breezy and
interested expectancy took the place of the previous bored expression.
Public-domain text, read in full here on John Shaqi.
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