American fiction -- 19th century; Artists -- Fiction
"Come, Van," said Stanton, throwing away his cigar, "we'll need
your tenor voice. We must stand by that little woman. The Chints
tribe have incited to profanity long enough, and shall make the
night hideous no more. If we could only drown them instead of their
voices, what a mercy it would be!" and the young men went around
and stood in the open door near the piano.
"You are to sing," said Miss Burton, with a decided little nod at
them.
"We intend to," replied Stanton, "since you are to accompany us."
She started "Coronation," that spirited and always inspiriting
battle song of the church--jubilant and militant--a melody that is
also admirably adapted for blending rough and inharmonious voices.
For a moment her own voice was like that of a singing lark, mounting
from its daisy covert; or rather, like the flow of a silver rill
whose music was soon lost, however, in the tumultuous rush of other
tributary streams of sound; still, the general effect was good, and
the people enjoyed it. By the time the second stanza was reached
the majority were singing with hearty good-will, the children
gathering near and joining in with delight.
Other familiar and old-fashioned hymns followed, and then one and
another began to ask for their favorites. Fortunately Mrs. Chints's
knowledge of sacred music was limited, and so she retired on the
laurels of having called Miss Burton out, informing half the company
of the fact with an important nod; and in remembrance of this fact
they were inclined to forgive her the anguish she had personally
caused them.
Mrs. Burleigh, who had stolen into the parlor for a little while
that she might enjoy the singing, remembered that she had a pile
of note-books that had grown dusty on a shelf since the baby had
furnished the music of the household. These were brought, and
higher and fuller musical themes were attempted, until the singers
dwindled to a quartet composed of a lady who had a fair soprano
voice, Miss Burton, Stanton and Van Berg. Their selections, however,
continued truly sacred in character, thus differing radically from
the florid style that Mrs. Chints had introduced.
The sweet and penetrating power of Miss Burton's voice could now
be distinguished. For some reason it thrilled and touched its
hearers in a way that they could not account for. The majority
present at once realized that she was not, and never could become,
a great singer. But within the compass of her voice, she could
pronounce sacred words in a manner that send them home to the hears
of the listeners like rays that could both cheer and melt.
At last she rose from the piano, remarking that there were other
musicians present; and no amount of persuasion could induce her to
remain there any longer.
"Perhaps you gentlemen play," she said, turning to the young men
who were about to depart. "A man's touch and leadership is so much
more decisive and vigorous than a lady's!"
Public-domain text, read in full here on John Shaqi.
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