Americans -- England -- Fiction; Bildungsromans; Love stories; Villages -- England -- Fiction; Young women -- Fiction
There was in Slowbridge but one dressmaking establishment. The head of
the establishment--Miss Letitia Chickie--designed the costumes of every
woman in Slowbridge, from Lady Theobald down. There were legends that she
received her patterns from London, and modified them to suit the
Slowbridge taste. Possibly this was true; but in that case her labors as
modifier must have been severe indeed, since they were so far modified as
to be altogether unrecognizable when they left Miss Chickie's
establishment, and were borne home in triumph to the houses of her
patrons. The taste of Slowbridge was quiet,--upon this Slowbridge prided
itself especially,--and, at the same time, tended toward economy. When
gores came into fashion, Slowbridge clung firmly, and with some pride, to
substantial breadths, which did not cut good silk into useless strips
which could not be utilized in after-time; and it was only when, after a
visit to London, Lady Theobald walked into St. James's one Sunday with
two gores on each side, that Miss Chickie regretfully put scissors into
her first breadth. Each matronly member of good society possessed a
substantial silk gown of some sober color, which gown, having done duty
at two years' tea-parties, descended to the grade of "second-best," and
so descended, year by year, until it disappeared into the dim distance of
the past. The young ladies had their white muslins and natural flowers;
which latter decorations invariably collapsed in the course of the
evening, and were worn during the latter half of any festive occasion in
a flabby and hopeless condition. Miss Chickie made the muslins,
festooning and adorning them after designs emanating from her fertile
imagination. If they were a little short in the body, and not very
generously proportioned in the matter of train, there was no rival
establishment to sneer, and Miss Chickie had it all her own way; and, at
least, it could never be said that Slowbridge was vulgar or overdressed.
Judge, then, of Miss Belinda Bassett's condition of mind when her fair
relative took her seat before her.
What the material of her niece's dress was, Miss Belinda could not have
told. It was a silken and soft fabric of a pale blue color; it clung to
the slender, lissome young figure like a glove; a fan-like train of great
length almost covered the hearth-rug; there were plaitings and frillings
all over it, and yards of delicate satin ribbon cut into loops in the
most recklessly extravagant manner.
Miss Belinda saw all this at the first glance, as Mary Anne had seen it,
and, like Mary Anne, lost her breath; but, on her second glance, she saw
something more. On the pretty, slight hands were three wonderful,
sparkling rings, composed of diamonds set in clusters: there were great
solitaires in the neat little ears, and the thickly-plaited lace at the
throat was fastened by a diamond clasp.
Public-domain text, read in full here on John Shaqi.
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