But these fantastic fancies will not serve. It was a real human
churchyard, and Rachel Cohen knew it to be so as she stood looking out
upon it from the window of her bedroom on the first floor. It was from
no feeling of unhappiness that her sight became dimmed as she gazed
upon the tombstones. Shadows of children rose before her, the
pattering of whose little feet was once the sweetest music that ever
fell on parent's ears, the touch of whose little hands carried with it
an influence as powerful as a heart-stirring prayer; children with
golden curls, children with laughing eyes, children with wistful
faces--but there was one, ah! there was one that shone as a star amid
the shadows, and that rose up, up, till it was lost in the solemn
clouds, sending therefrom a divine message down to the mother's heart:
"Mamma, mamma, I am waiting for thee!"
Quiet as was everything around her, Rachel heard the words; in the
midst of the darkness a heavenly light was shining on her.
She wiped the tears from her eyes, and stole down to the room in which
her husband was sitting.
CHAPTER XI.
MR. WHIMPOLE INTRODUCES HIMSELF.
It was the front room of the house on the ground floor which Aaron
Cohen had converted into a shop. The small parlor windows had been
replaced by larger ones, a counter had been put up, behind which were
shelves fitted into the walls. These shelves at present were bare, but
Aaron hoped to see them filled. Under the counter were other shelves,
as empty as those on the walls.
When Rachel entered her husband was engaged counting out his money,
like the king in his counting house. There was a studious expression
on his face, which was instantly replaced by one of deep tenderness as
he looked up and saw traces of tears in her eyes. He gathered his
money together, banknotes, silver, gold, and coppers, and motioned her
into the room at the rear of the shop. This was their living room, but
a large iron safe in a corner denoted that it was not to be devoted
entirely to domestic affairs. In another corner was the symbol of his
business, which was to be affixed to the front of the premises, over
the shop door--the familiar device of three golden balls.
Letting his money fall upon the table, he drew his wife to his side,
and passed his arm round her.
"The house," he said, "is almost in order."
"Yes, Aaron; there is very little to do."
"I am also ready for business. I have the license, and to-morrow those
glittering balls will be put up and the name painted. They are rather
large for so small a shop, but they will attract all the more
attention." He gazed at her anxiously. "Do you think you will be
contented and happy here?"
"Contented and happy anywhere with you," she replied in a tone of the
deepest affection.
"In this town especially, Rachel?"
"Yes, in this town especially. It is so peaceful."
"But," he said, touching her eyes with his fingers, "these?"
Public-domain text, read in full here on John Shaqi.
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