TOPPING enters with a little tray on which is a steaming jug of
fluid, some biscuits and a glass. He comes stealthily up level with
the chair. BUILDER stirs and looks up at him.
TOPPING. Excuse me, sir, you must 'ave digested yesterday morning's
breakfast by now--must live to eat, sir.
BUILDER. All right. Put it down.
TOPPING. [Putting the tray down on the table and taking up BUILDER'S
pipe] I fair copped those young devils.
BUILDER. You're a good fellow.
TOPPING. [Filling the pipe] You'll excuse me, sir; the Missis--has come
back, sir--
BUILDER stares at him and TOPPING stops. He hands BUILDER the
filled pipe and a box of matches.
BUILDER. [With a shiver] Light the fire, Topping. I'm chilly.
While TOPPING lights the fire BUILDER puts the pipe in his mouth and
applies a match to it. TOPPING, having lighted the fire, turns to
go, gets as far as half way, then comes back level with the table
and regards the silent brooding figure in the chair.
BUILDER. [Suddenly] Give me that paper on the table. No; the other
one--the Will.
TOPPING takes up the Will and gives it to him.
TOPPING. [With much hesitation] Excuse me, sir. It's pluck that get's
'em 'ome, sir--begging your pardon.
BUILDER has resumed his attitude and does not answer.
[In a voice just touched with feeling] Good-night, sir.
BUILDER. [Without turning his head] Good-night.
TOPPING has gone. BUILDER sits drawing at his pipe between the
firelight and the light from the standard lamp. He takes the pipe
out of his mouth and a quiver passes over his face. With a half
angry gesture he rubs the back of his hand across his eyes.
BUILDER. [To himself] Pluck! Pluck! [His lips quiver again. He
presses them hard together, puts his pipe back into his mouth, and,
taking the Will, thrusts it into the newly-lighted fire and holds it
there with a poker.]
While he is doing this the door from the hall is opened quietly, and
MRS BUILDER enters without his hearing her. She has a work bag in
her hand. She moves slowly to the table, and stands looking at him.
Then going up to the curtains she mechanically adjusts them, and
still keeping her eyes on BUILDER, comes down to the table and pours
out his usual glass of whisky toddy. BUILDER, who has become
conscious of her presence, turns in his chair as she hands it to
him. He sits a moment motionless, then takes it from her, and
squeezes her hand. MRS BUILDER goes silently to her usual chair
below the fire, and taking out some knitting begins to knit.
BUILDER makes an effort to speak, does not succeed, and sits drawing
at his pipe.
The CURTAIN falls.
Public-domain text, read in full here on John Shaqi.
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