What was left clear of this chaotic jumble in her soul
might quite properly be called a _tabula rasa_. There was scarcely a
thing to be read in it; it certainly offered no possibility of finding
a starting-point in her for better things. Whatever preparation she
had had inspired not love for work but love for a "society" life, the
desire to be surrounded by admirers and listen to their flattery, the
desire to plunge into the social din, glamor and whirlwind.
If she had listened to herself, she would have discovered that even in
Pogorelka, when just beginning to make plans for a life of honest toil
as a deliverance from Egyptian bondage, she could have caught herself
dreaming not so much of work as of being surrounded by a society of
congenial people, frittering her time away in empty talk. Of course,
the people of her dreams were clever, and their conversation was honest
and serious, but the idle side of life was always in the foreground.
Poverty was distinguished by neatness, privations amounted merely to
a lack of luxuries. So, when her dreams of a life of work came to a
head and she was offered a part in one of the provincial theatres,
she hesitated little, though the contrast between dream and reality
was great. She hastily freshened up her school information about the
relations of Helen and Menelaus, supplemented it by some biographical
details from the life of the splendid Prince of Tauris and decided
that that was quite sufficient to produce _Fair Helen_ and _Episodes
from the Life of the Duchess of Herolstein_ in the provincial theatres
and at the fairs. To clear her conscience she recalled the words of a
student she had met in Moscow who used to exclaim repeatedly, "Sacred
Art!" She made this her slogan, because it was the easiest way out,
and gave at least outward decorum to the path she had chosen--the path
toward which the whole of her being was instinctively tending.
The life of an actress upset her. Alone, without the guidance of proper
preparation, without a conscious aim, with only a temperament craving
for din, glamor, and applause, she soon found herself surrounded by
a chaos in which many persons thronged, some coming, others going,
without apparent order or connection. There were people of the most
diverse characters and views, so that the motives for becoming intimate
with this one or that one were not the same. Nevertheless, they were
all integral parts of her circle, so that there really could be no
question of motives.
Public-domain text, read in full here on John Shaqi.
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