Arina Petrovna looked about in bewilderment. Until that moment she
could not believe it, somehow, but now she was fully convinced that
every attempt to persuade the dying man would only serve to hasten the
day of Yudushka's triumph. Yudushka kept dancing before her eyes. She
saw him walking behind the hearse, giving his brother the last Judas
kiss and squeezing out two foul tears. Then she had a picture of the
coffin being lowered into the grave and Yudushka exclaiming, "Farewell,
brother!" his lips twitching and his eyes rolling upward. She heard
his attempt to add a note of grief to his voice, and afterwards say,
turning to Ulita: "The kutya,[A] the kutya, don't forget to take the
kutya into the house. And be sure to put on a clean table cloth. We
must honor brother's memory in the house, too." Next she saw him
presiding over the funeral feast, chatting incessantly with the
reverend father about the virtues of the deceased. She heard him say,
"Ah, brother, brother, you didn't wish to live with us," as he rose
from the table, stretching out his hand, palm upward, to receive the
father's blessing. And lastly she saw Yudushka walking about the house
with the air of a master, taking the inventory of all the effects and
in doubtful cases casting suspicious glances at mother.
All these inevitable scenes of the future floated before Arina
Petrovna's mental vision. In her ears rang Yudushka's shrill, unctuous
voice as he said: "Do you remember, mother dear, the little golden
shirt studs that brother had? They were so pretty. He used to wear them
on holidays. I simply can't imagine where those studs could have gone
to."
[Footnote A: A gruel made of rice or wheat or barley, boiled with
raisins and mead. It is eaten after the mass for the dead and, in the
South, on Christmas Eve.--_Translator's Note._]
CHAPTER V
Public-domain text, read in full here on John Shaqi.
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