At times, apparently, she recollected something; but the memories of
the past came incoherently, in fragments. Her attention could not
concentrate on one point. It jumped from one remote memory to another.
Yet sometimes she would be struck by something singular, not joy--her
past was very scant in joys--but some grievance, some abuse, bitter
and unbearable. Then sudden anger would flare up, anguish would creep
into her heart, and tears come to her eyes. She would weep grievously,
painfully, the weeping of piteous old age, when tears flow as if under
the load of a nightmare. But even while her tears were flowing, her
mind unconsciously continued to work in its usual way, and her thoughts
drifted imperceptibly away from the cause of her mood, so that in a few
minutes the old woman was wondering what had been the matter with her.
Altogether, she lived as if not participating in life personally, but
solely because in those ruins there were still left a few odds and ends
which had to be collected, recorded, and accounted for. While these
odds and ends were present, life went its way compelling the ruin to
perform all the external functions necessary to keep that half-asleep
existence from crumbling to dust.
But if the days passed in unconscious slumber, the nights were sheer
torment. At night Arina Petrovna was _afraid;_ she was afraid of
thieves, of ghosts, of devils, of all that was the product of her
education and life. And the defenses of the place were very poor, for
beside the two tottering women domestics Pogorelka had a night-watch in
the person of the lame little peasant Fedoseyushka, who for two rubles
a month came from the village to guard the manor-house, and usually
slept in the vestibule, coming out at the appointed hours to strike the
steel plate. In the cattle-yard, it is true, there lived a few farm
hands, men and women, but the cattle house was about fifty yards away
and it was not easy to summon any one from there.
Public-domain text, read in full here on John Shaqi.
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