A Fantasy of Far Japan; Or, Summer Dream DialoguesSuematsu, Kencho
Philosophy
A Fantasy of Far Japan; Or, Summer Dream Dialogues
Suematsu, Kencho
Japan -- Civilization
--'Well, then, what are your names, and how do you arrange the position
of the men at the commencement?' said another.
--'We place the king in the centre of the last row. We can do so
because our squares are nine and not eight, as yours. On each side of
the king we have the gold general, silver general, knight, and lancer
respectively. On the second square of the second row from the left we
have the diagonal dasher; and in the second square from the right in the
same row we have the flying chariot. The third row is allotted to the
pawns, which we call foot-soldiers,--the same signification as yours.
Thus you can see the starting position is entirely identical on both
sides, which is not the case with yours, because your squares being
eight, you cannot place the king in the very centre of the row.'
--'But how do you manage when a weaker hand plays with a stronger hand?'
interposed another.
--'Well, in that case, the stronger hand takes off one or more men from
the board at the beginning, just as you do, and thus equalises the
relative strength.'
--'What is "go"?'
--'It is a game which you have not, and, therefore, it is rather
difficult to describe, and it would not interest you much, if I
described it, because I could make no comparison. When I was in England
before, now many years ago, some people played a childish game called
"go-bang." The board and the pieces used are the same as our "go,"
though those I have seen in Europe are very simple and cheaply made. In
Japan they are rather expensive. The materials both of the board and
pieces are generally choice kinds of wood, and rare black stone and
shells, which make them expensive,--in fact, some people regard them as
an ornament for the room. The game, which is the same as your "go-bang,"
is also played by the name of "gomoku narabe," that is, placing five
pieces in a row. We call the board for "go" "go-ban," which literally
means the board for "go," and from that I conclude that your game of
"go-bang" came from Japan, only you have misapplied the appellation of
the board to the game. In Japan, it goes without saying, that game is
only fit for boys and girls, though occasionally some people show, even
in that game, great scientific skill. Unlike chess, the pieces of "go"
are placed on the top of the cross, and the end of the lines which mark
the board into squares. There are nineteen by nineteen of such spots,
and, therefore, there are three hundred and sixty-one black and white
pieces altogether, though in practice, the more skilful the players the
less the actual number of pieces used. From the simple fact of the
pieces being white and black, and having no difference of value, casual
observers might think the game of "go" does not possess so much interest
and variation as chess, but according to the opinion generally accepted,
there is much more in "go" than in "chess," though some who are more
partial to chess profess that there is a little more in chess than in
Public-domain text, read in full here on John Shaqi.
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