A Fantasy of Far Japan; Or, Summer Dream DialoguesSuematsu, Kencho
Philosophy
A Fantasy of Far Japan; Or, Summer Dream Dialogues
Suematsu, Kencho
Japan -- Civilization
--'Previously to the departure of the bride from her home, some
entertainments are generally given to her near relations, intimate
friends, and also to the servants for a farewell, or at least all the
members of the family gather together and make some merriment. This
generally takes place on the previous evening. On the day of her
departure, the officiating person and his wife go to her parents' home
and accompany her to her future home. Her parents, brothers, and sisters
also accompany, nay more, all her near relations and those of the
bridegroom also are invited, in order to be formally introduced to each
other and be present at the wedding banquet. In China the character
which means "to return" is generally used also to signify the act of a
bride leaving her home and going to the home of her future husband to be
married to him. The idea is that her future home, to which she is now
going, is imagined to be her real home, where she is now going back, and
she is not expected to return to her previous home for good, or rather
for any permanent purpose, for such a thing is considered out of the
question altogether. This notion is also the same with us Japanese;
consequently in Samurai families the same formality as that of the
departure of the dead is generally performed at the departure of the
bride. I wonder if the Western custom of throwing slippers has any
similar origin!'
--'Very likely!' the marchioness interposed.
--'And yet,' interrupted Lady Modestina, 'girls, and indeed young men,
too, are compelled to marry without knowing and seeing each other at all
before the wedding, as people say. Poor girls! Poor young men, too!'
Public-domain text, read in full here on John Shaqi.
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