A Fantasy of Far Japan; Or, Summer Dream DialoguesSuematsu, Kencho
Philosophy
A Fantasy of Far Japan; Or, Summer Dream Dialogues
Suematsu, Kencho
Japan -- Civilization
--'That's a rather difficult question. In your sacred book you have a
picture where Christ talks about "lilies." He stands in a field, utters
His words, pointing to some pure white lilies blooming, but not in
abundance, in the field. There is a perfect picture, the symbolic
meaning of the pure white flowers standing out vividly before your eyes.
In another place you see Christ entering a boat on a lake. There is
another picture. A lake calm and serene, surrounded by undulating hills,
perhaps with the shadow of the hills and trees reflected on the surface
of the water. There one or two fishermen handle oars in a fantastic
boat. A sage calls them from the shore to come to Him. A perfect
landscape! An immense expanse and an eternal stillness of the universe
almost unconsciously arises before the mind's eye of the onlooker. Such
is, then, a type of the ideals of our pictorial worlds.'
--'I can well imagine it,' said the young nobleman. 'Your chromographs
of even small objects, such as picture postcards, are very fine and
artistic and, at the same time, so simple. Look at ours: they have
neither feeling nor taste, and usually are showy and gorgeous, and,
indeed, often vulgar.'
--'I must say I agree with you to some extent. I am rather sorry that
such monthly publications as _Kokkwa_ do not pay well in Japan. The
present publisher of the journal is the proprietor of a large newspaper,
and not a regular book publisher. He is himself a great collector of our
_objets d'art_, of which he is very fond, and this is the sole reason
why he took up the publication after it had been nearly discontinued by
its former publisher. He is now trying to see if an English edition of
it will pay, although the end he has in view is to make Japan known to
the West, rather than any pecuniary personal gain. Indeed, it is for
that reason he has sent me this copy, asking me to show it to those who
have a taste for such things. I really think that, for the general good,
the publication is worth continuing.'
--'Certainly,' said the duchess. 'Let me see, it is only two yen per
number, that is five francs per month; cheap enough. I will subscribe at
once.'
The young nobleman now left our party, for he had another engagement. He
has a talent for music, and when a private concert was given only a few
weeks ago in the garden of an aristocratic family which I know, he was
the conductor, although only an amateur. This the young ladies told me,
and the circumstance led me to ask if they also were not musical. One of
them, she told me, played the piano, and the other the violin, and I
said I hoped that one day they would let me have the pleasure of hearing
them. I further said that the piano was only known in Japan to a slight
degree, and that only recently; but that we had always had an instrument
much resembling the violin.
The duke held in his hand an English literary weekly of the highest
repute. Turning to me he said:
Public-domain text, read in full here on John Shaqi.
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