Ethics -- Fiction; Religion and sociology -- Fiction; Upper class families -- Fiction
“Shall I tell Norah to pack, mother,” I would exclaim, starting up.
“We'll see what your father thinks, my dear.”
“Remain at the table until you are excused, Hugh,” he would say.
Released at length, I would rush to Norah, who always rejoiced with
me, and then to the wire fence which marked the boundary of the Peters
domain next door, eager, with the refreshing lack of consideration
characteristic of youth, to announce to the Peterses--who were to remain
at home the news of my good fortune. There would be Tom and Alfred and
Russell and Julia and little Myra with her grass-stained knees, faring
forth to seek the adventures of a new day in the shady western yard.
Myra was too young not to look wistful at my news, but the others
pretended indifference, seeking to lessen my triumph. And it was Julia
who invariably retorted “We can go out to Uncle Jake's farm whenever we
want to. Can't we, Tom?”...
No journey ever taken since has equalled in ecstasy that leisurely trip
of thirteen miles in the narrow-gauge railroad that wound through hot
fields of nodding corn tassels and between delicious, acrid-smelling
woods to Claremore. No silent palace “sleeping in the sun,” no edifice
decreed by Kubla Khan could have worn more glamour than the house of
Cousin Robert Breck.
It stood half a mile from the drowsy village, deep in its own grounds
amidst lawns splashed with shadows, with gravel paths edged--in
barbarous fashion, if you please with shells. There were flower beds of
equally barbarous design; and two iron deer, which, like the figures
on Keats's Grecian urn, were ever ready poised to flee,--and yet never
fled. For Cousin Robert was rich, as riches went in those days: not only
rich, but comfortable. Stretching behind the house were sweet meadows of
hay and red clover basking in the heat, orchards where the cows cropped
beneath the trees, arbours where purple clusters of Concords hung
beneath warm leaves: there were woods beyond, into which, under the
guidance of Willie Breck, I made adventurous excursions, and in the
autumn gathered hickories and walnuts. The house was a rambling, wooden
mansion painted grey, with red scroll-work on its porches and horsehair
furniture inside. Oh, the smell of its darkened interior on a midsummer
day! Like the flavour of that choicest of tropical fruits, the
mangosteen, it baffles analysis, and the nearest I can come to it is a
mixture of matting and corn-bread, with another element too subtle to
define.
Public-domain text, read in full here on John Shaqi.
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