Ethics -- Fiction; Religion and sociology -- Fiction; Upper class families -- Fiction
Ham, whose heartstrings and purse-strings were oddly intertwined, had
stipulated that they were to occupy the old Durrett mansion; but when
Nancy had made it "livable," as she expressed it, he is said to have
remarked that he might as well have built a new house and been done with
it. Not even old Nathaniel himself would have recognized his home when
Nancy finished what she termed furnishing: out went the horsehair, the
hideous chandeliers, the stuffy books, the Recamier statuary, and an army
of upholsterers, wood-workers, etc., from Boston and New York invaded the
place. The old mahogany doors were spared, but matched now by Chippendale
and Sheraton; the new, polished floors were covered with Oriental rugs,
the dreary Durrett pictures replaced by good canvases and tapestries.
Nancy had what amounted to a genius for interior effects, and she was the
first to introduce among us the luxury that was to grow more and more
prevalent as our wealth increased by leaps and bounds. Only Nancy's
luxury, though lavish, was never vulgar, and her house when completed had
rather marvellously the fine distinction of some old London mansion
filled with the best that generations could contribute. It left Mrs.
Frederick Grierson--whose residence on the Heights had hitherto been our
"grandest"--breathless with despair.
With characteristic audacity Nancy had chosen old Nathaniel's sanctum for
her particular salon, into which Ham himself did not dare to venture
without invitation. It was hung in Pompeiian red and had a little
wrought-iron balcony projecting over the yard, now transformed by an
expert into a garden. When I had first entered this room after the
metamorphosis had taken place I inquired after the tombstone mantel.
"Oh, I've pulled it up by the roots," she said.
"Aren't you afraid of ghosts?" I inquired.
"Do I look it?" she asked. And I confessed that she didn't. Indeed, all
ghosts were laid, nor was there about her the slightest evidence of
mourning or regret. One was forced to acknowledge her perfection in the
part she had chosen as the arbitress of social honours. The candidates
were rapidly increasing; almost every month, it seemed, someone turned up
with a fortune and the aspirations that go with it, and it was Mrs.
Durrett who decided the delicate question of fitness. With these, and
with the world at large, her manner might best be described as difficult;
and I was often amused at the way in which she contrived to keep them at
arm's length and make them uncomfortable. With her intimates--of whom
there were few--she was frank.
"I suppose you enjoy it," I said to her once.
"Of course I enjoy it, or I shouldn't do it," she retorted. "It isn't the
real thing, as I told you once. But none of us gets the real thing. It's
power.... Just as you enjoy what you're doing--sorting out the unfit.
It's a game, it keeps us from brooding over things we can't help. And
after all, when we have good appetites and are fairly happy, why should
we complain?"
Public-domain text, read in full here on John Shaqi.
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