American fiction -- 19th century; California -- Fiction; Contra Costa County (Calif.) -- Fiction; Western stories
noble woman than the poor young man she would have helped. This was why
he had not called the week before she went away. But for all that, she
had made his life less lonely, and he should be ever grateful to her. He
could never forget how she unconsciously sympathized with him that day
over the loss that had blighted his life forever,--yet even then he did
not know that she, herself, had passed through the same suffering. But
just here the stricken widow of thirty, after a vain attempt to keep up
the knitted gravity of her eyebrows, bowed her dimpling face over
the letter of the blighted widower of twenty, and laughed so long and
silently that the tears stood out like dew on her light-brown eyelashes.
But she became presently severe again, and finished her reading of the
letter gravely. Then she folded it carefully, deposited it in a box on
her table, which she locked. After a few minutes, however, she unlocked
the box again and transferred the letter to her pocket. The serenity
of her features did not relax again, although her previous pretty
prepossession of youthful spirit was still indicated in her movements.
Going into her bedroom, she reappeared in a few minutes with a light
cloak thrown over her shoulders and a white-trimmed broad-brimmed hat.
Then she rolled up the manuscript in a paper, and called her French
maid. As she stood there awaiting her with the roll in her hand, she
might have been some young girl on her way to her music lesson.
“If my brother returns before I do, tell him to wait.”
“Madame is going”--
“Out,” said Mrs. Ashwood blithely, and tripped downstairs.
She made her way directly to the shore where she remembered there was
a group of rocks affording a shelter from the northwest trade winds.
It was reached at low water by a narrow ridge of sand, and here she had
often basked in the sun with her book. It was here that she now unrolled
John Milton's manuscript and read.
Public-domain text, read in full here on John Shaqi.
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