A Five Years' Residence in Buenos Ayres, During the years 1820 to 1825: Containing Remarks on the Country and Inhabitants; and a Visit to Colonia Del Sacramento — John Shaqi
A Five Years' Residence in Buenos Ayres, During the years 1820 to 1825: Containing Remarks on the Country and Inhabitants; and a Visit to Colonia Del SacramentoLove, George Thomas
History
A Five Years' Residence in Buenos Ayres, During the years 1820 to 1825: Containing Remarks on the Country and Inhabitants; and a Visit to Colonia Del Sacramento
Love, George Thomas
Buenos Aires (Argentina) -- Description and travel; Colonia del Sacramento (Uruguay) -- Description and travel
The _cazuela_, or gallery, is similar to the one at Astley's, except
that it is not so large. It is appropriated to females alone. The
keeping females thus crowded together in a theatre, and separated from
their natural protectors, seems an abominable practice. A stranger is
apt to form erroneous opinions of the fair occupants of the cazuela, and
can scarcely believe that the most respectable are to be found there:
but it is so; and husbands, brothers, and friends, wait for them at the
gallery door. This custom, it is said, they inherit from the Moors. The
_goddesses_ of the cazuela behave in the most orderly manner; much more
so, I suspect, than my countrywomen would, similarly situated.
Over the stage is inscribed the words--"_Es la Comedia Espejo de la
Vida_."
The Governor's box was close to the stage, on what in the London
theatres is denominated the Prince's side of the house; and the
_cabildo_, or box of the chief magistracy, was in front. But now the
Governor's box is removed to what was the _cabildo_, and the English
consul occupies the one lately the Governor's. The Governor, except on
national days, seldom attends the theatre.
That important personage, the prompter, has his little tub, as usual,
in the middle of the stage, destroying all the illusion of the scene,
and, from necessity, obliging the audience to hear him as well as the
performers. Senor Zappucci, an Italian, intent, one evening, upon
impressing the audience with the drollery of a comic song, fell through
the prompter's hole; and the spectators began to consider whether this
was a part of his song. Fortunately he was not hurt. The superior
arrangement, in this respect, of the English theatres, might afford a
lesson to the most prejudiced foreigners.
The admittance is two reals to all parts of the house: but this does not
include a seat. It is, therefore, necessary to take a whole box, or a
single place in the pit (which costs three reals), in addition to the
admission.
Soldiers, who constitute every where the police of the city, were
formerly stationed both inside and outside of the theatre; but this
is no longer the case; and the eye of the republican citizen is not
offended by their presence at places of public amusement.
No refreshments are sold in the theatre; we never hear the "Choice
fruit, ladies and gentlemen, and a bill of the play!" and the spectators
in the pit are saved the nuisance of having the peelings of oranges and
apples dropped upon them. But then they are not condemned to sit five or
six hours, as in our theatres; three hours and a half is the utmost. The
pit audience generally walk out between the acts, and reassume their
seats without disturbance or difficulty.
Smoking in the theatre is not allowed; but such charms has the segar,
that they watch the opportunity of the absence of the police to smoke in
the lobbies.
The theatre continues open all the year round, with the exception of
Lent; and then music is permitted.
Public-domain text, read in full here on John Shaqi.
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