England -- Social life and customs -- Fiction; Humorous stories; Schools -- Fiction; Teenage girls -- Fiction
I had quite taken the turn now, and was trying to bear it all, and put
up with everything as well as I could, even with the horribly regular
meals which we used to sit down to at a table where all the knives and
forks were cripples--some loose in their handles, some were cracked,
some were bent, and others looked over their shoulders. One horrid
thing came out one day, and peppered my dinner with rosiny dust; and
there it was--a fork--sticking upright in a piece of tough stewed steak,
although two of the prongs were bent; and when some of the girls
tittered, Miss Furness said that I ought to have known better, and that
such behaviour was most unladylike and unbecoming.
But there, she was naturally an unpleasant, crabby old thing, and never
hardly opened her lips to speak without saying words that were all
crooked and full of corners. She once told Celia Blang--the pupil she
petted, and who used to tell her tales--that she had been considered
very handsome, and was called the "flower of the village;" but if she
was, they must have meant the flower of the vinegar plant--for it is
impossible to conceive a more acid old creature. In church, too, it was
enough to make one turn round and slap her; for if she did not copy from
the vicar, and take to repeating the responses out quite terribly loud,
and before the officiating priest, so as to make believe how devout she
was, when it really seemed to me that it was only to make herself
conspicuous. And then, to see the way in which the vain old thing used
to dress her thin, straggley hair! I do not laugh at people because
their hair is not luxuriant or is turning grey, but at their vanity,
which I am sure deserves it; and anybody is welcome to laugh at mine.
As for Miss Furness's hair, there was a bit of false here and another
bit there, and so different in shade and texture to her own that it was
quite shocking to see how artificial she looked; while, to make matters
ten times worse, she could not wear her hair plain, but in that
old-fashioned Eugenie style, stretching the skin of her face out so
tightly that her red nose shone, and she was continually on the grin.
And yet I've caught her standing before the glass in the drawing-room,
to simper and smile at herself, as if she were a goddess of beauty.
Public-domain text, read in full here on John Shaqi.
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