Robert Milburn lifted his head proudly, and answered quietly: “I have
known her since she was a little slip of a lass.”
“And how did the meeting come about? you were brought up in Maryland, I
believe.”
“True, but in the early ’80s I spent one spring and summer South. I was
at ‘Ashland.’ You know that is the old home of Henry Clay. It is about
in the center of the region of blue grass, down in Kentucky. Clay’s
great grandson, by marriage, Major McDowell, owns this historic place.
He is a well-mannered and distinguished host, and allowed me to fancy
myself an artist then, and I made some sketches of his horses--he is a
celebrated stock breeder.”
“How I should enjoy seeing a good stock farm; that is one pleasure
I am still on this side of,” put in Willard. “Go on, I meant not to
interrupt you.”
“The Major often saddled two of his fine steppers and invited me to
ride over the country with him. It was upon one of these jaunts that I
met the girl. It happened in this way: We were in the blue grass valley
just this side of the mountainous region. A turn-row, running through
a field of broken sod was our route, to avoid a dangerous creek ford.
With heartsome calls and chirruping, six plowmen went up and down the
long rows. The light earth, creaming away from the bright plowshare,
heaped upon their bare feet. I thought, ‘What is so delicious as the
feel of it--yielding, cool, electrical, fresh.’ We stopped to watch
them. They tramped sturdily behind the mules, one hand upon the
plow-handle, the other wrapped about with the line that ran to the
beast’s head. Presently, they all fell to singing a song--a relic,
it must have been, from the old care-free days. Over and over they
chanted the rude lilt, and their voices were mildly sweet. We stopped
to listen, for their song was like no other melodies under the sun.”
“But where does the girl come in? I expected to hear something of her,”
interrupted Willard, with an impatient gesture.
“Oh, yes! She is just down a trifle farther in the pasture lands with
an ‘ole Auntie.’ The Major addressed the negress as ‘Aunt Judy.’ They
were welcoming the new comer--a calf. The Auntie wore a bandana and a
coarse cotton print, over which was a thin, diamond-shaped shawl. Her
subdued face was brown--the brown of tobacco--and her weary eyes stole
quick, wondering glances at us, and instinctively she took the child’s
hand, as if to be sure she was safe.
Public-domain text, read in full here on John Shaqi.
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