All the wealth, fashion and talent of the rest of women in their
totality, were of no more meaning to him than the floating of motes in
the great sunbeam of his love for this girl. This fact made all other
resolutions impossible--glaringly impossible.
With this honest conviction in his manly breast he went to bed, and the
blessed visitor of peace placed fingers upon his eyelids to keep watch
until the morrow.
* * * * * *
Two ladies, in loose but becoming morning gowns, sat, at the
fashionable hour of eleven, breakfasting in a dainty boudoir in an
extension to a fine residence on Fifth Avenue. The table, a low
square table covered with whitest linen, was set before a great open
fireplace, where gas gave forth flashes of lurid lights which were
refracted by the highly polished surface of the silver tray, teapot,
sugar and creamer.
The elder lady had the morning paper in her lap and she sat sipping
her tea. She scarcely looked her four and forty. Youth was past, but
the charm of gracious maturity lay in her clear glance and about the
soft smiling mouth. The girl had turned her easy chair away from the
table, perching her pretty feet on the brass rail of the fender. Her
aristocratic brown-blonde head was bending over the _Herald_.
“Here is another puff about Willard Frost, the portrait painter,” she
said complacently. “He has become the rage; I suppose the fact that he
is a romantic figure of an unconventional type is one reason as well as
his artistic qualities.”
[Illustration: “‘He has become the rage.’” Page 23.]
“And, too, because he is unmarried,” said the elderly lady. “Society is
strange, and when the gods marry they lose caste. If he should bring
home one day a beautiful wife, I fancy few women would care about
sitting for portraits then.”
“I cannot understand that; why is it?” inquired the girl, innocently.
“Because women declare against women. I wouldn’t be surprised if they
were already angry with you.”
“Why?”
“I have thought that he fancied you and showed you preference.”
“He has been quite nice, but I thought it was generally understood that
he would make love to Miss Baxter.”
“I may be wrong, but I sometimes imagine you like him, and I do not
blame you either, my dear; many a girl has married less attractive men
than your artist.”
“Oh, he is handsome, has a magnificent build, and that voice--”
murmured the girl, clasping her hands over her knee and looking into
the fire.
The other watched her intently and said slowly: “I had hoped to save
you for my boy--he is our best gift from God, and you--come next.”
The girl smiled softly, “Oh, Fred doesn’t care for me; he says I remind
him of hay fields and yielding clover. I take it that he means I am too
‘fresh,’” observed the girl, half seriously.
Public-domain text, read in full here on John Shaqi.
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