It tormented Don Ippolito’s idle neighborhood to see Veneranda arrive
in such state, and a passionate excitement arose at the caffè, where the
person of the consul was known, when Ferris entered the priest’s house
with her.
He had not often visited Don Ippolito, but the quaintness of the
place had been so vividly impressed upon him, that he had a certain
familiarity with the grape-arbor of the anteroom, the paintings of the
parlor, and the puerile arrangement of the piano and melodeon. Veneranda
led him through these rooms to the chamber where Don Ippolito had first
shown him his inventions. They were all removed now, and on a bed, set
against the wall opposite the door, lay the priest, with his hands on
his breast, and a faint smile on his lips, so peaceful, so serene, that
the painter stopped with a sudden awe, as if he had unawares come into
the presence of death.
“Advance, advance,” whispered the old woman.
Near the head of the bed sat a white-haired priest wearing the red
stockings of a canonico; his face was fanatically stern; but he rose,
and bowed courteously to Ferris.
The stir of his robes roused Don Ippolito. He slowly and weakly turned
his head, and his eyes fell upon the painter. He made a helpless gesture
of salutation with his thin hand, and began to excuse himself, for
the trouble he had given, with a gentle politeness that touched the
painter’s heart through all the complex resentments that divided them.
It was indeed a strange ground on which the two men met. Ferris could
not have described Don Ippolito as his enemy, for the priest had
wittingly done him no wrong; he could not have logically hated him as
a rival, for till it was too late he had not confessed to his own heart
the love that was in it; he knew no evil of Don Ippolito, he could not
accuse him of any betrayal of trust, or violation of confidence. He felt
merely that this hapless creature, lying so deathlike before him, had
profaned, however involuntarily, what was sacredest in the world to him;
beyond this all was chaos. He had heard of the priest’s sickness with
a fierce hardening of the heart; yet as he beheld him now, he began to
remember things that moved him to a sort of remorse. He recalled again
the simple loyalty with which Don Ippolito had first spoken to him of
Miss Vervain and tried to learn his own feeling toward her; he thought
how trustfully at their last meeting the priest had declared his love
and hope, and how, when he had coldly received his confession, Don
Ippolito had solemnly adjured him to be frank with him; and Ferris could
not. That pity for himself as the prey of fantastically cruel chances,
which he had already vaguely felt, began now also to include the priest;
ignoring all but that compassion, he went up to the bed and took the
weak, chill, nerveless hand in his own.
Public-domain text, read in full here on John Shaqi.
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