“And yet it is the very truth. Oh, you do not know her, you never knew her! In the same moment that she denied me her love, she divined the anguish of my soul, and with that embrace she sought to console me for the friendlessness of a whole life, past and to come. But I know that I waste my words on you,” he cried bitterly. “You never would see me as I was; you would find no singleness in me, and yet I had a heart as full of loyalty to you as love for her. In what have I been false to you?” “You never were false to me,” answered Ferris, “and God knows I have been true to you, and at what cost. We might well curse the day we met, Don Ippolito, for we have only done each other harm. But I never meant you harm. And now I ask you to forgive me if I cannot believe you. I cannot--yet. I am of another race from you, slow to suspect, slow to trust. Give me a little time; let me see you again. I want to go away and think. I don’t question your truth. I’m afraid you don’t know. I’m afraid that the same deceit has tricked us both. I must come to you to-morrow. Can I?” He rose and stood beside the couch. “Surely, surely,” answered the priest, looking into Ferris’s troubled eyes with calm meekness. “You will do me the greatest pleasure. Yes, come again to-morrow. You know,” he said with a sad smile, referring to his purpose of taking vows, “that my time in the world is short. Adieu, to meet again!” He took Ferris’s hand, hanging weak and hot by his side, and drew him gently down by it, and kissed him on either bearded cheek. “It is our custom, you know, among _friends_. Farewell.” The canonico in the anteroom bowed austerely to him as he passed through; the old woman refused with a harsh “Nothing!” the money he offered her at the door. He bitterly upbraided himself for the doubts he could not banish, and he still flushed with shame that he should have declared his knowledge of a scene which ought, at its worst, to have been inviolable by his speech. He scarcely cared now for the woman about whom these miseries grouped themselves; he realized that a fantastic remorse may be stronger than a jealous love. He longed for the morrow to come, that he might confess his shame and regret; but a reaction to this violent repentance came before the night fell. As the sound of the priest’s voice and the sight of his wasted face faded from the painter’s sense, he began to see everything in the old light again. Then what Don Ippolito had said took a character of ludicrous, of insolent improbability.