“I have told you how when I first owned to her the falsehood in which
I lived, she besought me to try if I might not find consolation in the
holy life to which I had been devoted. When you see her, dear friend,
will you not tell her that I came to understand that this comfort, this
refuge, awaited me in the cell of the Carmelite? I have brought so much
trouble into her life that I would fain have her know I have found
peace where she bade me seek it, that I have mastered my affliction by
reconciling myself to it. Tell her that but for her pity and fear for
me, I believe that I must have died in my sins.”
It was perhaps inevitable from Ferris’s Protestant association of monks
and convents and penances chiefly with the machinery of fiction, that
all this affected him as unreally as talk in a stage-play. His heart was
cold, as he answered: “I am glad that your mind is at rest concerning
the doubts which so long troubled you. Not all men are so easily
pacified; but, as you say, it is the privilege of your church to work
miracles. As to Miss Vervain, I am sorry that I cannot promise to give
her your message. I shall never see her again. Excuse me,” he continued,
“but your servant said there was something you wished to say that
concerned me?”
“You will never see her again!” cried the priest, struggling to lift
himself upon his elbow and falling back upon the pillow. “Oh, bereft!
Oh, deaf and blind! It was _you_ that she loved! She confessed it to me
that night.”
“Wait!” said Ferris, trying to steady his voice, and failing; “I was
with Mrs. Vervain that night; she sent me into the garden to call her
daughter, and I saw how Miss Vervain parted from the man she did not
love! I saw”....
It was a horrible thing to have said it, he felt now that he had spoken;
a sense of the indelicacy, the shamefulness, seemed to alienate him from
all high concern in the matter, and to leave him a mere self-convicted
eavesdropper. His face flamed; the wavering hopes, the wavering doubts
alike died in his heart. He had fallen below the dignity of his own
trouble.
“You saw, you saw,” softly repeated the priest, without looking at him,
and without any show of emotion; apparently, the convalescence that had
brought him perfect clearness of reason had left his sensibilities still
somewhat dulled. He closed his lips and lay silent. At last, he asked
very gently, “And how shall I make you believe that what you saw was not
a woman’s love, but an angel’s heavenly pity for me? Does it seem hard
to believe this of her?”
“Yes,” answered the painter doggedly, “it is hard.”
Public-domain text, read in full here on John Shaqi.
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