him, and he listened to her with trustful reverence, as to a woman of
striking though eccentric mind. Yet he seemed finally to refer every
point to Florida, as if with an intuition of steadier and stronger
character in her; and now, as he ascended the terrace steps in his
modified costume, he looked intently at her. She swept him from head
to foot with a glance, and then gravely welcomed him with unchanged
countenance.
At the same moment Mrs. Vervain came out through one of the long
windows, and adjusting her glasses, said with a start, “Why, my dear Don
Ippolito, I shouldn’t have known you!”
“Indeed, madama?” asked the priest--with a painful smile. “Is it so
great a change? We can wear this dress as well as the other, if we
please.”
“Why, of course it’s very becoming and all that; but it does look so out
of character,” Mrs. Vervain said, leading the way to the breakfast-room.
“It’s like seeing a military man in a civil coat.”
“It must be a great relief to lay aside the uniform now and then,
mother,” said Florida, as they sat down. “I can remember that papa used
to be glad to get out of his.”
“Perfectly wild,” assented Mrs. Vervain. “But he never seemed the same
person. Soldiers and--clergymen--are so much more stylish in their own
dress--not stylish, exactly, but taking; don’t you know?”
“There, Don Ippolito,” interposed Ferris, “you had better put on your
talare and your nicchio again. Your _abbate’s_ dress isn’t acceptable,
you see.”
The painter spoke in Italian, but Don Ippolito answered--with certain
blunders which it would be tedious to reproduce--in his patient,
conscientious English, half sadly, half playfully, and glancing at
Florida, before he turned to Mrs. Vervain, “You are as rigid as the rest
of the world, madama. I thought you would like this dress, but it seems
that you think it a masquerade. As madamigella says, it is a relief
to lay aside the uniform, now and then, for us who fight the spiritual
enemies as well as for the other soldiers. There was one time, when I
was younger and in the subdiaconate orders, that I put off the priest’s
dress altogether, and wore citizen’s clothes, not an abbate’s suit like
this. We were in Padua, another young priest and I, my nearest and only
friend, and for a whole night we walked about the streets in that dress,
meeting the students, as they strolled singing through the moonlight;
we went to the theatre and to the caffè,--we smoked cigars, all the time
laughing and trembling to think of the tonsure under our hats. But
in the morning we had to put on the stockings and the talare and the
nicchio again.”
Public-domain text, read in full here on John Shaqi.
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