They rose, and she laid her hand on his arm with an instinctive gesture
of appeal. He stood bewildered. Then, “Thanks, madamigella, thanks!” he
said, and caught her fragrant hand to his lips. He loosed it and lifted
both his arms by a blind impulse in which he arrested himself with a
burning blush, and turned away. He did not take leave of her with his
wonted formalities, but hurried abruptly toward the gate.
A panic seemed to seize her as she saw him open it. She ran after him.
“Don Ippolito, Don Ippolito,” she said, coming up to him; and stammered
and faltered. “I don’t know; I am frightened. You must do nothing from
me; I cannot let you; I’m not fit to advise you. It must be wholly from
your own conscience. Oh no, don’t look so! I _will_ be your friend,
whatever happens. But if what you think of doing has seemed so terrible
to you, perhaps it _is_ more terrible than I can understand. If it is
the only way, it is right. But is there no other? What I mean is, have
you no one to talk all this over with? I mean, can’t you speak of it
to--to Mr. Ferris? He is so true and honest and just.”
“I was going to him,” said Don Ippolito, with a dim trouble in his face.
“Oh, I am so glad of that! Remember, I don’t take anything back. No
matter what happens, I will be your friend. But he will tell you just
what to do.”
Don Ippolito bowed and opened the gate.
Florida went back to her mother, who asked her, “What in the world have
you and Don Ippolito been talking about so earnestly? What makes you so
pale and out of breath?”
“I have been wanting to tell you, mother,” said Florida. She drew her
chair in front of the elder lady, and sat down.
XIV.
Don Ippolito did not go directly to the painter’s. He walked toward
his house at first, and then turned aside, and wandered out through the
noisy and populous district of Canaregio to the Campo di Marte. A squad
of cavalry which had been going through some exercises there was moving
off the parade ground; a few infantry soldiers were strolling about
under the trees. Don Ippolito walked across the field to the border of
the lagoon, where he began to pace to and fro, with his head sunk in
deep thought. He moved rapidly, but sometimes he stopped and stood still
in the sun, whose heat he did not seem to feel, though a perspiration
bathed his pale face and stood in drops on his forehead under the shadow
of his nicchio. Some little dirty children of the poor, with which this
region swarms, looked at him from the sloping shore of the Campo di
Giustizia, where the executions used to take place, and a small boy
began to mock his movements and pauses, but was arrested by one of the
girls, who shook him and gesticulated warningly.
Public-domain text, read in full here on John Shaqi.
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