“You never spoke of this before, when you talked of going to America.
Though to be sure”--
“Yes, yes!” replied Don Ippolito with vehemence, “but now an angel has
appeared and shown me the blackness of my life!”
Ferris began to wonder if he or Don Ippolito were not perhaps mad.
“An angel, yes,” the priest went on, rising from his chair, “an angel
whose immaculate truth has mirrored my falsehood in all its vileness
and distortion--to whom, if it destroys me, I cannot devote less than a
truthfulness like hers!”
“Hers--hers?” cried the painter, with a sudden pang. “Whose? Don’t speak
in these riddles. Whom do you mean?”
“Whom can I mean but only one?--madamigella!”
“Miss Vervain? Do you mean to say that Miss Vervain has advised you to
renounce your priesthood?”
“In as many words she has bidden me forsake it at any risk,--at the cost
of kindred, friends, good fame, country, everything.”
The painter passed his hand confusedly over his face. These were his own
words, the words he had used in speaking with Florida of the supposed
skeptical priest. He grew very pale. “May I ask,” he demanded in a hard,
dry voice, “how she came to advise such a step?”
“I can hardly tell. Something had already moved her to learn from me the
story of my life--to know that I was a man with neither faith nor hope.
Her pure heart was torn by the thought of my wrong and of my error. I
had never seen myself in such deformity as she saw me even when she
used me with that divine compassion. I was almost glad to be what I was
because of her angelic pity for me!”
The tears sprang to Don Ippolito’s eyes, but Ferris asked in the same
tone as before, “Was it then that she bade you be no longer a priest?”
“No, not then,” patiently replied the other; “she was too greatly
overwhelmed with my calamity to think of any cure for it. To-day it was
that she uttered those words--words which I shall never forget, which
will support and comfort me, whatever happens!”
The painter was biting hard upon the stem of his pipe. He turned away
and began ordering the color-tubes and pencils on a table against the
wall, putting them close together in very neat, straight rows. Presently
he said: “Perhaps Miss Vervain also advised you to go to America?”
“Yes,” answered the priest reverently. “She had thought of everything.
She has promised me a refuge under her mother’s roof there, until I can
make my inventions known; and I shall follow them at once.”
“Follow them?”
“They are going, she told me. Madama does not grow better. They are
homesick. They--but you must know all this already?”
“Oh, not at all, not at all,” said the painter with a very bitter smile.
“You are telling me news. Pray go on.”
Public-domain text, read in full here on John Shaqi.
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