Don Ippolito stood listening with a patient, and then a wounded air. “Nothing,” he answered proudly. “I ask your pardon for troubling you with my affairs. Your former kindness emboldened me too much. I shall not trespass again. It was my ignorance, which I pray you to excuse. I take my leave, signore.” He bowed, and moved out of the room, and a dull remorse filled the painter, as he heard the outer door close after him. But he could do nothing. If he had given a wound to the heart that trusted him, it was in an anguish which he had not been able to master, and whose causes he could not yet define. It was all a shapeless torment; it held him like the memory of some hideous nightmare prolonging its horror beyond sleep. It seemed impossible that what had happened should have happened. It was long, as he sat in the chair from which he had talked with Don Ippolito, before he could reason about what had been said; and then the worst phase presented itself first. He could not help seeing that the priest might have found cause for hope in the girl’s behavior toward him. Her violent resentments, and her equally violent repentances; her fervent interest in his unhappy fortunes, and her anxiety that he should at once forsake the priesthood; her urging him to go to America, and her promising him a home under her mother’s roof there: why might it not all be in fact a proof of her tenderness for him? She might have found it necessary to be thus coarsely explicit with him, for a man in Don Ippolito’s relation to her could not otherwise have imagined her interest in him. But her making use of Ferris to confirm her own purposes by his words, her repeating them so that they should come back to him from Don Ippolito’s lips, her letting another man go with her to look upon the procession in which her priestly lover was to appear in his sacerdotal panoply; these things could not be accounted for except by that strain of insolent, passionate defiance which he had noted ill her from the beginning. Why should she first tell Don Ippolito of their going away? “Well, I wish him joy of his bargain,” said Ferris aloud, and rising, shrugged his shoulders, and tried to cast off all care of a matter that did not concern him. But one does not so easily cast off a matter that does not concern one. He found himself haunted by certain tones and looks and attitudes of the young girl, wholly alien to the character he had just constructed for her. They were child-like, trusting, unconscious, far beyond anything he had yet known in women, and they appealed to him now with a maddening pathos. She was standing there before Don Ippolito’s picture as on that morning when she came to Ferris, looking anxiously at him, her innocent beauty, troubled with some hidden care, hallowing the place. Ferris thought of the young fellow who told him that he had spent three months in a dull German town because he had the room there that was once occupied by the girl who had