Such an adventure could not fail to gain in spectacular grotesqueness as
it took its place in the memory and imagination of Dufour. He had been
in the habit of seeing such things on the stage and of condemning them
out of hand as the baldest melodramatic nonsense, so that now he could
not fairly realize the matter as something that had taken place in his
life.
He was very tired and hungry when he reached Hotel Helicon.
VI.
"Oh, yes, I walked all the way up the mountain from the railroad depot,"
explained the young woman whose arrival we chronicled in another
chapter, "but I stopped over night at a cabin on the way and discovered
some just delightful characters--the Tollivers--regular Craddock sort
of people, an old lady and her son."
By some method known only to herself she had put herself upon a
speaking-plane with Dufour, who, as she approached him, was standing in
an angle of the wide wooden veranda waiting for the moon to rise over
the distant peaks of the eastern mountains.
"I saw Mr. Tolliver to-day while whipping a brook down here," said he,
turning to look her squarely in the face.
"Oh, did you! Isn't he a virile, villainous, noble, and altogether
melodramatic looking man? I wish there was some one here who could
sketch him for me. But, say, Mr. Dufour, what do you mean, please, when
you speak of _whipping_ a brook?"
She took from her pocket a little red note-book and a pencil as he
promptly responded: "Whipping a brook? oh, that's angler's nonsense, it
means casting the line into the water, you know."
"That's funny," she remarked, making a note.
She was taller than Dufour, and so slender and angular that in
comparison with his excessive plumpness she looked gaunt and bony. In
speaking her lips made all sorts of wild contortions showing her uneven
teeth to great effect, and the extreme rapidity of her utterance gave an
explosive emphasis to her voice. Over her forehead, which projected, a
fluffy mass of pale yellow hair sprang almost fiercely as if to attack
her scared and receding chin.
"You are from Michigan, I believe, Miss Crabb," remarked Dufour.
"Oh, dear, no!" she answered, growing red in the face, "No, indeed. I am
from Indiana, from Ringville, associate editor of the _Star_."
"Pardon, I meant Indiana. Of course I knew you were not from Michigan."
"Thanks," with a little laugh and a shrug, "I am glad you see the
point."
"I usually do--a little late," he remarked complacently.
"You are from Boston, then, I infer," she glibly responded.
"Not precisely," he said, with an approving laugh, "but I admit that I
have some Bostonian qualities."
At this point in the conversation she was drooping over him, so to say,
and he was sturdily looking up into her bright, insistent face.
"What a group!" said Crane to Mrs. Bridges, a New York fashion editor.
"I'd give the best farm in Kentucky (so far as my title goes) for a
photograph of it! Doesn't she appear to be just about to peck out his
eyes!"
Public-domain text, read in full here on John Shaqi.
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