"Tolstoi is the greatest fraud of the nineteenth century," said Peck.
"That shoe-making pretence of his is about on a par with his genius in
genuineness and sincerity. His novels are great chunks of raw filth,
rank, garlic garnished and hideous. We touch them only because the
French critics have called them savory. If the _Revue de Deux Mondes_
should praise a Turkish novel we could not wait to read it before we
joined in. Tolstoi is remarkable for two things: his coarseness and his
vulgar disregard of decency and truth. His life and his writings are
alike crammed with absurdities and contradictory puerilities which would
be laughable but for their evil tendencies."
"But, my dear sir, how then do you account for the many editions of
Tolstoi's books?" inquired the historian, R. Hobbs Lucas.
"Just as I account for the editions of Cowper and Montgomery and
Wordsworth and even Shakespeare," responded Peck. "You put a ten per
cent. author's royalty on all those dear classics and see how soon
the publishers will quit uttering them! If Tolstoi's Russian raw meat
stories were put upon the market in a fair competition with American
novels the latter would beat them all hollow in selling."
"Oh, we ought to have international copyright," plaintively exclaimed a
dozen voices, and so the conversation ended.
Strangely enough, each one of the company in growing silent did so in
order to weigh certain suggestions arising out of Peck's assertions. It
was as if a score of semi-annual statements of copyright accounts were
fluttering in the breeze, and it was as if a score of wistful voices had
whispered:
"How in the world do publishers grow rich when the books they publish
never sell?"
Perhaps Gaspard Dufour should be mentioned as appearing to have little
sympathy with Peck's theory or with the inward mutterings it had
engendered in the case of the rest of the company.
If there was any change in Dufour's face it was expressed in a smile of
intense self-satisfaction.
XI.
It was, of course, not long that the newspapers of our wide-awake
country were kept from giving their readers very picturesque glimpses of
what was going on among the dwellers on Mt. Boab. The humorists of the
press, those charming fellows whose work is so enjoyable when performed
upon one's neighbor and so excruciating when turned against oneself,
saw the vulnerable points of the situation and let go a broadside of
ridicule that reverberated from the Atlantic to the Pacific. It became
a matter of daily amusement among the inmates of Hotel Helicon to come
together in little groups and discuss these humorous missiles fired upon
them from California, Texas, Arkansas and Wisconsin, from Brooklyn,
Pittsburgh, Atlanta, and Oil-City, Detroit and--, but from everywhere,
indeed.
Public-domain text, read in full here on John Shaqi.
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