"I had hoped," she said, "to get my novel on the market before this, but
I have not yet found a publisher to suit me."
She winced inwardly at this way of expressing the fact that every
publisher, high and low, far and near, had declined her MS. out of hand;
but she could not say the awful truth in its simpliest terms, while
speaking to one so prosperous as Dufour. She felt that she must at all
hazards preserve a reasonable show of literary independence. Crane came
to her aid.
"One publisher is just as good as another," he said almost savagely.
"They are all thieves. They report every book a failure, save those they
own outright, and yet they all get rich. I shall publish for myself my
next volume."
Dufour smiled grimly and turned away. It was rather monotonous, this
iteration and reiteration of so grave a charge against the moral
character of publishers, and this threat of Crane's to become his own
publisher was a bit of unconscious and therefore irresistible humor.
"It's too pathetic to be laughed at," Dufour thought, as he strolled
along to where Miss Moyne sat under a tree, "but that Kentuckian
actually thinks himself a poet!"
With all his good nature and kind heartedness, Dufour could be
prejudiced, and he drew the line at what he called the "prevailing
tendency toward boastful prevarication among Kentucky gentlemen."
As he walked away he heard Crane saying:
"George Dunkirk & Co. have stolen at least twenty thousand dollars in
royalties from me during the past three years."
It was the voice of Ferris that made interrogative response:
"Is Dunkirk your publisher?"
"Yes, or rather my robber."
"Glad of it, misery loves company."
Public-domain text, read in full here on John Shaqi.
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