"Permit me to thank you for your good intentions," she said, with a
flash of irony; "you held the napkin just in the right position, but
the wine never fell from the table. Still your kindness lost nothing in
quality because the danger was imaginary."
When dinner was over, Miss Moyne sought out Hartley Crane, the Kentucky
poet who knew everybody, and suggested that perhaps the stranger was
Mr. Arthur Selby, the analytical novelist whose name was on everybody's
tongue.
"But Arthur Selby is thin and bald and has a receding chin. I met him
often at the--I forget the club in New York," said Crane. "It's more
likely that he's some reporter. He's a snob, anyway."
"Dear me, no, not a snob, Mr. Crane; he is the most American man I ever
met," replied Miss Moyne.
"But Americans are the worst of all snobs," he insisted, "especially
literary Americans. They adore everything that's foreign and pity
everything that's home-made."
As he said this he was remembering how Tennyson's and Browning's poems
were overshadowing his own, even in Kentucky. From the ring of his voice
Miss Moyne suspected something of this sort, and adroitly changed the
subject.
III.
It might be imagined that a hotel full of authors would be sure to
generate some flashes of disagreement, but, for a time at least,
everything went on charmingly at Hotel Helicon. True enough, the name of
the occupant of room 24 remained a vexatious secret which kept growing
more and more absorbing as certain very cunningly devised schemes for
its exposure were easily thwarted; but even this gave the gentleman
a most excellent excuse for nagging the ladies in regard to feminine
curiosity and lack of generalship. Under the circumstances it was not to
be expected that everybody should be strictly guarded in the phrasing
of speech, still so genial and good-humored was the nameless man and so
engaging was his way of evading or turning aside every thrust, that he
steadily won favor. Little Mrs. Philpot, whose seven year old daughter
(a bright and sweet little child) had become the pet of Hotel Helicon,
was enthusiastic in her pursuit of the stranger's name, and at last she
hit upon a plan that promised immediate success. She giggled all to
herself, like a high-school girl, instead of like a widow of thirty, as
she contemplated certain victory.
"Now do you think you can remember, dear?" she said to May, the child,
after having explained over and over again what she wished her to do.
"Yeth," said May, who lisped charmingly in the sweetest of child voices.
"Well, what must you say?"
"I muth thay: Pleathe write your--your----"
"Autograph."
"Yeth, your au--to--graph in my album."
"That's right, autograph, autograph, don't forget. Now let me hear you
say it."
"Pleathe write your autograph in my book."
Public-domain text, read in full here on John Shaqi.
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