A Further Contribution to the Study of the Mortuary Customs of the North American IndiansYarrow, H. C. (Harry Crécy)
History
A Further Contribution to the Study of the Mortuary Customs of the North American Indians
Yarrow, H. C. (Harry Crécy)
Indians of North America -- Funeral customs and rites
Among the Carolina tribes the burial of the dead was accompanied
with special ceremonies, the expense and formality attendant upon
the funeral according with the rank of the deceased. The corpse was
first placed in a cane hurdle and deposited in an outhouse made for
the purpose, where it was suffered to remain for a day and a night,
guarded and mourned over by the nearest relatives with disheveled
hair. Those who are to officiate at the funeral go into the town,
and from the backs of the first young men they meet strip such
blankets and matchcoats as they deem suitable for their purpose. In
these the dead body is wrapped and then covered with two or three
mats made of rushes or cane. The coffin is made of woven reeds or
hollow canes tied fast at both ends. When everything is prepared for
the interment, the corpse is carried from the house in which it has
been lying into the orchard of peach-trees and is there deposited in
another hurdle. Seated upon mats are there congregated the family
and tribe of the deceased and invited guests. The medicine man, or
conjurer, having enjoined silence, then pronounces a funeral
oration, during which he recounts the exploits of the deceased, his
valor, skill, love of country, property, and influence; alludes to
the void caused by his death, and counsels those who remain to
supply his place by following in his footsteps; pictures the
happiness he will enjoy in the land of spirits to which he has gone,
and concludes his address by an allusion to the prominent traditions
of his tribe.
Let us here pause to remind the reader that this custom has prevailed
throughout the civilized world up to the present day--a custom, in the
opinion of many, “more honored in the breach than in the observance.”
Public-domain text, read in full here on John Shaqi.
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