A Garden of Peace: A Medley in QuietudeMoore, Frank Frankfort
General
A Garden of Peace: A Medley in Quietude
Moore, Frank Frankfort
Gardens -- Fiction
Yes, there are harmonies in Nature, though all makers of gardens do not
appreciate them; the discordant notes that occasionally assail a lover
of Nature in a garden that has been made by a nurseryman are due to the
untiring exertions of the hybridiser. It is quite possible to produce
“freaks” and “sports” both as regards form and colour--“Prodigious
mixtures and confusion strange.” I believe that some professional men
spend all their time over experiments in this direction, and I have no
doubt that some of them, having perpetrated a “novelty,” make money out
of it. Equally sure I am that the more conscientious, when they bit upon
a novelty that they feel to be offensive, destroy the product without
exhibiting it. They have not all the hideous unscrupulousness of Dr.
Moreau--the nearest approach to a devil trying to copy the Creator
who made man in His own image. Dr. Moreau made things after his own
likeness. He was a great hybridiser. (Mr. H. G. Wells, after painting
that Devil for us, has recently been showing his skill in depicting the
God.)
Now, every one knows that the garden of to-day owes most of its glory to
the judicious hybridiser, but I implore of him to be merciful as he is
strong. I have seen some heartrending results of his experiments which
have not been suppressed, as they should have been. I am told that a
great deal in the way of developing the natural colours of a certain
group of flowers can be done by the introduction of chemicals into their
drinking water. It is like poisoning a well! By such means I believe
an unscrupulous gardener could turn a whole border into something
resembling a gigantic advertisement card of aniline dyes.
But I must be careful in my condemnations of such possibilities. There
is a young woman named Rosamund, who is Dorothy's first-born, and she
is ready at all seasonable times to give me the benefit of her fourteen
years' experiences of the world and its ways, and she has her own views
of Nature as the mother of the Arts. After listening to my old-fashioned
railings against such chromatic innovations as I have abused, she
maintained a thoughtful silence that suggested an absence of conviction.
“Don't you see the awfulness of re-dying a flower--the unnaturalness of
such an operation?” I cried.
“Why, you old thing, can't you see that if it's done by aniline dyes
it's all right--true to Nature and all that?”
“Good heavens! that a child of mine--Dorothy, did you hear her? How can
you sit there and smile as if nothing had happened? Have you brought her
up as an atheist or what?”
“Every one who doesn't agree with all you say isn't a confirmed
atheist,” replied Dorothy calmly. “As for Rosamund, what I'm afraid of
is that, so far from being an atheist, she is rather too much in the
other direction--like 'Lo, the poor Indian.' She'll explain what's in
her mind if you give her a chance What do you mean, my dear, by laying
the emphasis on aniline dyes? Don't you know that most of them are
awful?”
Public-domain text, read in full here on John Shaqi.
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