A Garden of Peace: A Medley in Quietude — John Shaqi
A Garden of Peace: A Medley in QuietudeMoore, Frank Frankfort
General
A Garden of Peace: A Medley in Quietude
Moore, Frank Frankfort
Gardens -- Fiction
“He would have it done with the old material,” he explained sadly.
“That's how it comes to be like what it is to-day.” And he nodded in the
direction of the exquisitely-weathered old Caen blocks with the great
bosses of house-leek covering the coping. “It was no use my telling him
that I could run up a nine-inch brick wall with proper coping tiles that
would have a new look for years if no creepers were allowed on it, for
far less money; he would have the old stone, and those squared flints
that you see there.”
“Some people are very obstinate, thank God!” said I.
“I could have made as good a job of it as I did of St. Anthony's
Church--you know the new aisle in St. Anthony's, sir,” said he.
I certainly did know the new aisle in St. Anthony's; but I did not
say that I did in the tone of voice in which I write. It is the most
notorious example of what enormities could be perpetrated in the
devastating fifties and sixties, when a parson and his churchwardens
could do anything they pleased to their churches.
In a very different spirit was the Barbican of the old Castle of Yardley
repaired under the care of a reverential, but not Reverend, director.
Every stone was numbered and put back into its place when the walls were
made secure.
The gardens and orchards and lawns behind the walls which were
reconstructed by the owner whose obstinacy the builder was lamenting,
must extend over three or four acres. Such a space allows for a deep
enough fringe of noble trees, giving more than a suggestion of a
park-land which had once had several vistas after the most approved
eighteenth century type, but which have not been maintained by
some nineteenth century owners who were fearful of being accused of
tolerating anything so artificial as design in their gardens. But the
“shrubberies” have been allowed to remain pretty much as they were
planted, with magnificent masses of pink may and innumerable lilacs. The
rose-gardens and the mixed borders are chromatic records of the varying
tastes of generations.
What made the strongest appeal to me when I was wandering through the
grounds a year or two before that fatal August afternoon was the beauty
of the anchusas. I thought that I had never seen finer specimens or a
more profuse variety of their blues. One might have been looking down
into the indigo of the water under the cliffs of Capri in one place,
and into the delicate ultramarine spaces of the early morning among the
islands of the Ægean in another.
I congratulated one of the gardeners upon his anchusas, and he smiled in
an eminently questionable way.
“Maybe I'm wrong in talking to you about them,”
I said, looking for an explanation of his smile. “Perhaps it is not you
who are responsible for this bit.”
“It's not that, sir,” he said, still smiling. “I'm ready to take all the
responsibility. You see, sir, I was brought up among anchusas: I was one
of the gardeners at Dropmore.”
I laughed.
Public-domain text, read in full here on John Shaqi.
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