The late Mr. M. A. Robertson, of the Treaty Department of the Foreign Office, told me that his father--the celebrated preacher known to fame as “Robertson of Brighton”--had described to him the important part played by the pun in the early sixties. At a dinner-party at which the Reverend Mr. Robertson was a guest, a humorist who was present picked up the menu card and set the table on a roar with his punning criticism of every _plat_. Robertson thought that such a spontaneous effort was a very creditable _tour de force_--doubtless the humorist would have called it a _tour de farce_--but a few nights later he was at another party which was attended by the same fellow-guest, and once again the menu, which happened to be exactly the same also, was casually picked up and dealt with _seriatim_ as before, with an equally hilarious effect. He mentioned to the hostess as a curious coincidence that he should find her excellent dinner identical with the one of which he had partaken at the other house: and then she confided in him that the great punster had given her the bill of fare that afforded him his opportunity of displaying his enlivening trick! Robertson gave me the name of this Victorian artist, but there is no need for me to reveal it in this place. The story, however, allows us a glimpse into the studio of one of the word-jugglers of other days; and when one has been made aware of the machinery of his mysteries, one ceases to marvel. Two brothers, Willie and Oscar Wilde, earned many dinners in their time by their conversational abilities; and I happen to know that before going out together they rehearsed very carefully the exchange of their impromptus at the dinner table. Both of these brothers were brilliant conversationalists, and possessed excellent memories. They were equally unscrupulous and unprincipled. The only psychological distinction between the two was that the elder, Willie, possessed an impudence of a quality which was not among Oscar's gifts. Oscar was impudent enough to take his call on the first night of _Lady Windermere's Fan_ smoking a cigarette, and to assure the audience that he had enjoyed the play immensely; but he was never equal to his brother in this special line. Willie was a little over twenty and living with his parents in Dublin, where he had a friendly little understanding with a burlesque actress who was the principal boy in the pantomime at the Gaiety Theatre. She wrote to him one day making an appointment with him for the night, and asking him to call for her at the stage door. The girl addressed the letter to “Wm. Wilde, Esq.,” at his home, and as his father's name was William he opened it mechanically and read it. He called Willie into his study after breakfast and put the letter before him, crying, “Read that, sir!” The son obeyed, folded it up and handed it back, saying quietly,-- “Well, dad, do you intend to go?”