The displacement of emphasis is unheard of as a means of expressing thoughts. In conscious thinking we occasionally admit it to gain a comic effect. I can probably give you an idea of the confusion which this produces by reminding you of the story of the blacksmith who had committed a capital crime. The court decided that the penalty for the crime must be paid, but since he was the only blacksmith in the village and therefore indispensable, while there were three tailors, one of the latter was hung in his stead. The third process of the dream-work is the most interesting from a psychological point of view. It consists of the _translation_ of thoughts into visual images. Let us bear in mind that by no means all dream thoughts undergo this translation; many of them retain their form and appear in the manifest dream also as thought or consciousness; moreover, visual images are not the only form into which thoughts are translated. They are, however, the foundation of the dream fabric; this part of the dream work is, as we already know, the second most constant, and for single dream elements we have already learned to know "plastic word representation." It is evident that this process is not simple. In order to get an idea of its difficulties you must pretend that you have undertaken the task of replacing a political editorial in a newspaper by a series of illustrations, that you have suffered an atavistic return from the use of the alphabet to ideographic writing. Whatever persons or concrete events occur in this article you will be able to replace easily by pictures, perhaps to your advantage, but you will meet with difficulties in the representation of all abstract words and all parts of speech denoting thought relationships, such as particles, conjunctions, etc. With the abstract words you could use all sorts of artifices. You will, for instance, try to change the text of the article into different words which may sound unusual, but whose components will be more concrete and more adapted to representation. You will then recall that most abstract words were concrete before their meaning paled, and will therefore go back to the original concrete significance of these words as often as possible, and so you will be glad to learn that you can represent the "possession" of an object by the actual physical straddling of it.[32] The dream work does the same thing. Under such circumstances you can hardly demand accuracy of representation. You will also have to allow the dream-work to replace an element that is as hard to depict as for instance, broken faith, by another kind of rupture, a broken leg.[33] In this way you will be able to smooth away to some extent the crudity of imagery when the latter is endeavoring to replace word expression.