In the normal state of human nature, Imagination is subordinate to Reason as Reason is to Feeling. Any prolonged inversion of this natural order is both morally and intellectually dangerous. The reign of Imagination would be still more disastrous than the reign of Reason; only that it is even more incompatible with the practical conditions of human life. But chimerical as it is, the mere pursuit of it may do much individual harm by substituting artificial excitement, and in too many cases affectation of feeling, in the place of deep and spontaneous emotion. Viewed politically, nothing can be worse than this undue preponderance of esthetic considerations caused by the uncontrolled ambition of artists and litterateurs. The true object of Art, which is to charm and elevate human life, is gradually lost sight of. By being held out as the aim and object of existence, it degrades the artist and the public equally, and is therefore certain to degenerate. It loses all its higher tendencies, and is reduced either to a sensuous pleasure, or to a mere display of technical skill. Admiration for the arts, which, when kept in its proper place, has done so much for modern life, may become a deeply corrupting influence, if it becomes the paramount consideration. It is notorious what an atrocious custom prevailed in Italy for several centuries, simply for the sake of improving men’s voices. Art, the true purpose of which is to strengthen our sympathies, leads when thus degraded to a most abject form of selfishness; in which enjoyment of sounds or forms is held out as the highest happiness, and utter apathy prevails as to all questions of social interest. So dangerous is it intellectually, and still more so morally, for individuals, and above all, for societies to allow esthetic considerations to become unduly preponderant; even when they spring from a genuine impulse. But the invariable consequence to which this violation of the first principles of social order leads, is the success of mediocrities who acquire technical skill by long practice.