A Gentleman Vagabond and Some OthersSmith, Francis Hopkinson
General
A Gentleman Vagabond and Some Others
Smith, Francis Hopkinson
Short stories; United States -- Social life and customs -- 19th century -- Fiction
Above the Schweizerhof Hotel, and at the end of the long walk fronting the
lake at Lucerne,--the walk studded with the round, dumpy, Noah's-ark
trees,--stands a great building surrounded by flowers and palms, and at
night ablaze with hundreds of lamps hung in festoons of blue, yellow, and
red. This is the Casino. On each side of the wide entrance is a
bill-board, announcing that some world-renowned Tyrolean warbler, famous
acrobat, or marvelous juggler will sing or tumble or bewilder, the price
of admission remaining the same, despite the enormous sum paid for the
appearance of the performer.
Inside this everybody's club is a cafe, with hurrying waiters and a solid
brass band, and opening from its smoke and absinthe laden interior blazes
a small theatre, with stage footlights and scenery, where the several
world-renowned artists redeem at a very considerable discount the
promissory notes of the bill-boards outside.
During the performance the audience smoke and sip. Between the acts most
of them swarm out into the adjacent corridors leading to the
gaming-rooms,--licensed rooms these, with toy-horses ridden by tin
jockeys, and another equally delusive and tempting device of the devil--a
game of tipsy marbles, rolling about in search of sunken saucers
emblazoned with the arms of the nations of the earth. These whirligigs of
amateur crime are constantly surrounded by eager-eyed men and women, who
try their luck for the amusement of the moment, or by broken-down, seedy
gamblers, hazarding their last coin for a turn of fortune. Now and then,
too, some sweet-faced girl, her arm in her father's, wins a louis with a
franc, her childish laughter ringing out in the stifling atmosphere.
* * * * *
The Tyrolean warbler had just finished her high-keyed falsetto, bowing
backward in her short skirts and stout shoes with silver buckles, and I
had just reached the long corridor on my way to the garden, to escape the
blare and pound of the band, when a man leaned out of a half-opened door
and touched my shoulder.
"Pardon, monsieur. May I speak to you a moment?"
He was a short, thick-set, smooth-shaven, greasy man, dressed plainly in
black, with a huge emerald pin in his shirt front. I have never had any
particular use for a man with an emerald pin in his shirt front.
"There will be a game of baccarat," he continued in a low voice, his eyes
glancing about furtively, "at eleven o'clock precisely. Knock twice at
this door."
Public-domain text, read in full here on John Shaqi.
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