Paris (France) -- History -- Commune, 1871 -- Fiction
It converted them, in fact, for the time, from a group of careless,
merry young fellows, into men with a sense of responsibility. Their time
when away from the studio had previously been spent in follies and
frivolities. They often drank much more than was good for them, smoked
inordinately, were up half the night, and came in the morning to work
with heavy heads and nerveless hands. Now they were soldiers, men who
matched themselves against the invaders of their country, who risked
their lives in her defence, and they bore themselves more erectly, a
tone of earnestness replaced a languid indifference and a carelessness
as to their work, and in spite of some privations in the way of food
their figures seemed to expand.
The loss of two nights' sleep a week rendered early hours necessary, and
ensured sound sleep during the remaining five. The discipline of the
studio had been relaxed. The master felt that at such a time he could
not expect the same silent concentration on work that it demanded at
other times, but he found to his surprise that while they laughed and
joked as they painted, they worked none the worse for this, and that in
fact there was a general improvement manifest.
Cuthbert heartily enjoyed the change; the prevailing tone was more like
that to which he was accustomed at the studios of St. John's Wood than
was the somewhat strict discipline that had before prevailed in the
studio, and he enjoyed the hard work and excitement outside the walls.
The fact that they were running the same risks and sharing in the same
work was an added bond of union among the students; and, although, when
they met, as they very frequently did in each other's lodgings, there
was less uproarious fun than before; there was a healthier atmosphere,
and more pleasant and earnest talk.
Arnold Dampierre was the only exception to the general rule. When in the
field he evinced no want of spirit, and upon the contrary was always
ready to volunteer when a few men were required to crawl forward at
night to ascertain the precise position of the Prussian outposts or to
endeavor to find out the meaning of any stir or movement that might be
heard towards their front. At other times his fits of moodiness seemed
to increase. He was seldom present at any of the gatherings of his
companions, but went off after work at the studio was over, and it was
generally late at night before he returned to his rooms.
Public-domain text, read in full here on John Shaqi.
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