Women in charitable work -- England -- Fiction; Young women -- Fiction
"You'll let her sleep on, will you?" said Bet.
Her tone was queer and constrained; even her father noticed it.
"She is asleep now; come and look at her; you may wake her if you can."
"No, no, gel; let me get off--Jim Targent will get my berth unless I
look sharp. Let me be, Bet--your mother can sleep her fill this
morning."
"Come and look at her, father; come--you must."
She took his hand--she was very strong--stronger than him at that
moment, for his legs were not steady, and even now he was scarcely
sober.
"I don't want to see an old 'ooman asleep," he muttered, but he let the
strong hand lead him forward. Bet pushed back the screen, and drew him
close to the bed.
"Wake her if you can," she said, and her eyes blazed into his.
Granger looked. There was no mistaking what he saw.
"My God!" he murmured. "Bet, you shouldn't have done it--you shouldn't
have broke it to me like this!"
He trembled all over.
"Martha dead! Let me get away. I _hate_ dead people."
"Put your hand on her forehead, father. See, she couldn't have got your
tea for you. It were no fault of her'n--you beat her, and you kicked
her, and you made life awful for her; but you couldn't hurt her this
morning; she's above you now, you can't touch her now."
"Let me go, Bet--you're an awful girl--you had no call to give me a
turn like this. No, I won't touch her, and you can't force me. I'm
going out--I won't stay in this room. I'm going down to the docks--I
mustn't lose my work. What do you say--that I shan't go? Where will you
all be if I don't arn your bread for you?"
"Set down there on the side of the bed, father. I'll keep you five
minutes and no more. You needn't be all in a tremble--you needn't be
showing of the white feather. Bless you, she never could hurt you less
than she does now. Set there, and look at her face. I've a word or two
to say, and I can only say it with you looking at her dead face. Then
you can go down to the docks, and stay there for always as far as it
matters to me."
She pushed the man on to the bed. He could see the white, still face of
his dead wife. The tired look had left it; the wrinkles had almost
disappeared. Martha Granger looked twenty years younger than she had
done yesterday.
Around the closed eyelids, around the softly smiling mouth, lay an
awful peace and grandeur. The drunken husband looked at the wife whom
he had abused, whose days he had rendered one long misery, and a lump
arose in his throat; a queer new sensation, which he could not
recognize as either remorse or repentance, filled his breast. He no
longer opposed Bet; he gazed fixedly, with a stricken stare, at the
dead woman.
"Speak, gel; say what you have to say," he muttered.
Public-domain text, read in full here on John Shaqi.
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