As for the outside affairs, a mere change of ownership was a small
matter, so long as Hank Pearsall’s experienced hand still guided
them, and they seemed to run smoothly enough. Charley Van Brunt,
too, lived at the ranch of the Three Sorrows, a guest—a quiet,
graceful guest—whose incompetence was a shield against
responsibility. He endeared himself at once to his men by the
unvarying courtesy and sweetness of his bearing and the boyish
recklessness he displayed when he chose and rode a horse, selecting
always for looks and style, without regard to the beast’s
disposition. It was plain that he drank heavily in the long evenings
when he sat alone in the library, his manager, looking on, hoping
that as the first keenness of his grief wore away, this matter would
be bettered.
But it was the other way. When Charley began to rouse from the
stupor of bereavement, he began also to leave the ranch, on trips to
Mesquite, and beyond to El Centro; whence the news came back to Hank
that Van Brunt was drinking hard and playing high. He found by
natural instinct the clever, well-bred, profligate young Englishmen
over on the Bar Thirteen, pensioned—or exiled—by their own families;
and after that, between the trips to town, there was drinking and
card playing at the Bar Thirteen. In those days the Three Sorrows
was the finest property under private ownership in the Panhandle,
with pastures all fenced—a rare thing at that time—watered by three
noble creeks whose springs were never dry. It had been well stocked
when Katharine bought it. Now Hank looked helplessly on, thinking of
the two children, saw the money from sales of beef poured into the
bottomless pit of Charley’s dissipations. And he understood that
more than one mortgage had been put on the place, and that a choice
pasture had been sold outright.
And Hank had another small worry, to which he finally applied his
own remedy. The men loved to sit on the long back porch, chairs
tilted against the wall, waiting for supper. They were freshly
washed as to faces and hands, damply slick as to hair; their
innocent enjoyment of company other than their own was so evident
that it would have been a hard heart indeed which would have grudged
them the society of the children; yet Hank listened and was
troubled. Did all cowboys swear so much? Had Snake Thompson’s
language always been what it now appeared? This might be Charley Van
Brunt’s ranch, Charley Van Brunt’s back porch, and these might be
Charley Van Brunt’s children—well, as a matter of fact, the
ownership of all the articles mentioned was so placed—yet Hank felt
himself obliged to speak out and speak distinctly on the subject.
“Boys,” he put it, “you-all have got to ride herd a little closer on
your language. Swearing—leastways more’n reason—around where
children air at—”
“Say, Hank,” broke in Shorty O’Meara, “how much is in reason to
swear when your stirrup leather busts on you, and your left eyebrow
hits the ground?”
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account