Girton College (University of Cambridge) -- Fiction; Women college students -- Fiction
‘There is an unexpected parry for you, my dear girl.’ Shifting his
chair away from the table, Dinah’s lord began to fold himself a loose,
or Spanish-modelled cigarette. Pipes and cigars of ordinary goodness
Gaston would no more smoke than he would swallow any of the popular
fluids known among Britons as wine. He had the virtue of facile
temperance, wore the blue ribbon of a fastidious taste. Unless his
small luxuries were of the choicest, he could at any time fill the
anchorite’s _rôle_ without effort. ‘You had better apply to your own
lawful husband, Dinah, than to Geff, when you want a compliment.’
‘I apply to Geoffrey when I want truth.’
Dinah made this answer unconscious of the slight irony her speech
conveyed.
‘The truth! When a pretty woman talks of truth,’ cried Gaston, ‘she
means, “Give me the biggest, most sugared lump of praise that my moral
gullet will enable me to swallow.”’
Mrs. Arbuthnot had been married close upon four years. Yet was she so
much in love with Gaston still as to colour rosy red at the doubtful
flattery of this remark.
She was a blonde, amply framed Devonshire girl, in the fresh summer
of her youth. ‘Not a lady,’ according to the traditions of small
social courts, the judgments of smaller feminine tribunals. Dinah’s
lips could scarcely unclose before ineradicable accents of the west
country working folk informed you that Gaston Arbuthnot, like so many
artists--poor dear impressionable fellows!--had married beneath him.
Not a lady, as far as the enunciation of certain vowels, the absence
of certain petty artificialities of female manner were concerned, but
with the purity of April dawn on her cheeks, the wholesome work-a-day
qualities of a long line of yeoman progenitors in her heart.
About most women’s charms men are prone to hold contradictory opinions.
What world-renowned beauty but has at times felt the cold breath
of adverse criticism? A smile from Dinah’s pensive mouth, a gleam
from Dinah’s serious eyes, appealed to all beholders. Tottering old
gentlemen would turn, with spectacles hastily adjusted, to wonder; fine
ladies cast looks of despair after her from their carriages; young men
of every sort and condition would lose their peace, if Dinah did but
demurely walk along London pavement or provincial street. She was an
altogether unique specimen of our mixed and over-featured race: white
and rose of complexion; chiselled of profile, with English-coloured
hair (and this hair is neither gold nor flaxen nor chestnut, but a
subdued blending of the three); eyebrows and eyelashes that matched;
a nobly cut throat; and the slow, calm movements that belong in all
countries to the fair large Madonna-like women of her type.
Public-domain text, read in full here on John Shaqi.
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