It was a love tale, of course. And it began thus, the first line
consisting of a single word, and the second of three words:
'_Babylon!_
'_And in winter!_
'_The ladies' waiting-room on the arrival platform of one of our vast
termini was unoccupied save for the solitary figure of a young and
beautiful girl, who, clad in a thin but still graceful costume, crouched
shivering over the morsel of fire which the greed of a great company
alone permitted to its passengers. Outside resounded the roar and shriek
of trains, the ceaseless ebb and flow of the human tide which beats for
ever on the shores of modern Babylon. Enid Anstruther gazed sadly into
the embers. She had come to the end of her resources. Suddenly the door
opened, and Enid looked up, naturally expecting to see one of her own
sex. But it was a man's voice, fresh and strong, which exclaimed: "Oh, I
beg pardon!" The two glanced at each other, and then Enid sank
backwards._'
Such were the opening sentences of _Love in Babylon_.
Enid was an orphan, and had come to London in order to obtain a
situation in a draper's shop. Unfortunately, she had lost her purse on
the way. Her reason for sinking back in the waiting-room was that she
had fainted from cold, hunger, and fatigue. Thus she and the man, Adrian
Tempest, became acquainted, and Adrian's first gift to her was seven
drops of brandy, which he forced between her teeth. His second was his
heart. Enid obtained a situation, and Adrian took her to the Crystal
Palace one Saturday afternoon. It was a pity that he had not already
proposed to her, for they got separated in the tremendous Babylonian
crowd, and Enid, unused to the intricacies of locomotion in Babylon,
arrived home at the emporium at an ungodly hour on Sunday morning. She
was dismissed by a proprietor with a face of brass. Adrian sought her in
vain. She sought Adrian in vain--she did not know his address.
Thenceforward the tale split itself into two parts: the one describing
the life of Adrian, a successful barrister, on the heights of Babylon,
and the other the life of Enid, reduced to desperate straits, in the
depths thereof. The contrasts were vivid and terrific.
Mrs. Knight and Aunt Annie could not imagine how Henry would bring the
two lovers, each burning secretly the light torch of love in Babylon,
together again. But Henry did not hesitate over the problem for more
than about fifty seconds. Royal Academy. Private View. Adrian present
thereat as a celebrity. Picture of the year, 'The Enchantress.' He
recognises her portrait. She had, then, been forced to sell her beauty
for eighteenpence an hour as an artist's model. To discover the artist
and Enid's address was for Adrian the work of a few minutes.
Public-domain text, read in full here on John Shaqi.
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