So he insured _Love in Babylon_ for twenty pounds and despatched it. In
three weeks it returned like the dove to the ark (but soiled), with a
note to say that, though the publishers' reader regarded it as
promising, the publishers could not give themselves the pleasure of
making an offer for it. Thenceforward Henry and the manuscript suffered
all the usual experiences, and the post-office reaped all the usual
profits. One firm said the story was good, but too short. ('A pitiful
excuse,' thought Henry. 'As if length could affect merit.') Another said
nothing. Another offered to publish it if Henry would pay a hundred
pounds down. (At this point Henry ceased to insure the parcel.) Another
sent it back minus the last leaf, the matter of which Henry had to
reinvent and Aunt Annie to recopy. Another returned it insufficiently
stamped, and there was fourpence to pay. Another kept it four months,
and disgorged it only under threat of a writ; the threat was launched
forth on Powells' formidable notepaper. At length there arrived a day
when even Henry's pertinacity was fatigued, and he forgot, merely
forgot, to send out the parcel again. It was put in a drawer, after a
year of ceaseless adventures, and Mrs. Knight and Aunt Annie discreetly
forbore to mention it. During that year Henry's opinion on his work had
fluctuated. There had been moments, days perhaps, of discouragement,
when he regarded it as drivel, and himself as a fool--in so far, that
is, as he had trafficked with literature. On the other hand, his
original view of it reasserted itself with frequency. And in the end he
gloomily and proudly decided, once and for all, that the Stream of
Trashy Novels Constantly Poured Forth by the Press had killed all demand
for wholesome fiction; he came reluctantly to the conclusion that modern
English literature was in a very poor way. He breathed a sigh, and
dismissed the episode utterly from his mind.
And _Love in Babylon_ languished in the drawer for three months.
Then, upon an April morning, the following telegram was received at
Dawes Road, Fulham: '_Please bring manuscript me immediately top left
take cab Henry_.'
Mrs. Knight was alone in the house with Sarah when the imperious summons
of the telegraph-boy and the apparition of the orange envelope threw the
domestic atmosphere into a state of cyclonic confusion. Before tearing
the envelope she had guessed that Aunt Annie had met with an accident,
that Henry was dead, and that her own Aunt Eliza in Glossop had died
without making a will; and these imaginings had done nothing to increase
the efficiency of her intellectual powers. She could not read sense into
the message, not even with the aid of spectacles and Sarah.
Happily Aunt Annie returned, with her masculine grasp of affairs.
'He means _Love in Babylon_,' said Aunt Annie. 'It's in the top
left-hand drawer of his desk. That's what he means. Perhaps I'd better
take it. I'm ready dressed.'
Public-domain text, read in full here on John Shaqi.
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