A Guide to Peterborough Cathedral: Comprising a brief history of the monastery from its foundation to the present time, with a descriptive account of its architectural peculiarities and recent improvements; compiled from the works of Gunton, Britton, and original & authentic documents — John Shaqi
A Guide to Peterborough Cathedral: Comprising a brief history of the monastery from its foundation to the present time, with a descriptive account of its architectural peculiarities and recent improvements; compiled from the works of Gunton, Britton, and original & authentic documentsPhillips, George S. (George Searle)
History
A Guide to Peterborough Cathedral: Comprising a brief history of the monastery from its foundation to the present time, with a descriptive account of its architectural peculiarities and recent improvements; compiled from the works of Gunton, Britton, and original & authentic documents
Phillips, George S. (George Searle)
Peterborough Cathedral -- Guidebooks; Peterborough Cathedral -- History
This John was a Norman by birth, and an admirer of the Norman style of
architecture, which is discernable throughout the whole of this great
building. That there is a mixture of style, however, in the monastery,
is admitted on all hands;--nor could it well have been otherwise, if we
take into consideration the different character of the ages in which
additions were made to it. Still the leading features of the building
clearly show that they are of Norman origin; and in this opinion we are
supported by Mr. Britton, who says, "I cannot consent to discontinue
this phrase, [viz. that the cathedral is a specimen of Norman
architecture,] although it offends certain critics, who manifest more
prejudice than discrimination in their reprobatory animadversion. That
the Normans not only employed a peculiar style and character in the
buildings of their own provence, and in England, after they possessed
this country, is sufficiently proved by history, by the older edifices
still remaining, and by the admission of the best informed antiquaries.
It seems to me therefore absurd, as well as false, to say there is no
Norman architecture--that the term is misapplied,--that the Normans
were incompetent either to invent a novelty in art, or improve upon any
thing of their Saxon predecessors. The instance of the building before
us, which is said by its monastic historians to have been raised
between the years 1117 and 1250, is sufficient evidence to confute the
reasoning, or rather dogmatic assertions, of those who wish to exalt
the Saxons by depreciating the Normans: and we have a still stronger
confutation of this theory in the style and general character of the
Trinity chapel, Canterbury, the history of which is well authenticated
and generally credited. That it is a novelty and great beauty in
architecture can only be disputed by those who are blinded by
prejudice, or influenced by obstinacy and bad taste."[26]
During the prelacy of Bishop Marsh, 1819-1839, great efforts were made
to restore the cathedral to its original beauty, under the auspices of
Dr. Monk, then Dean of Peterborough, and afterwards Bishop of
Gloucester. "By him the noble west front, which he found in a very
ruinous state, was perfectly restored from top to bottom;
six-and-thirty windows were opened in various parts of the church,
which were built up, and two Norman doors were brought to light, which
had been hidden under mean depressed arches."
It may, perhaps, be desirable to describe the different portions of the
building in the order in which they present themselves to the visitor,
and in doing this, we shall avail ourselves of the excellent remarks
made by the Rev. Owen Davys, son of bishop Davys, in his work on the
cathedral, and also of the superior talent of a gentleman, formerly
well known in this city, (the Rev. T. Garbett,) who has investigated,
with great care, the whole plan of the building, and has laid the
result of his researches before the public.
Public-domain text, read in full here on John Shaqi.
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