A guide to the Cathedral Church of Saint John the Divine in the city of New York: Fifth Edition — John Shaqi
A guide to the Cathedral Church of Saint John the Divine in the city of New York: Fifth EditionHall, Edward Hagaman
Religion
A guide to the Cathedral Church of Saint John the Divine in the city of New York: Fifth Edition
Hall, Edward Hagaman
Cathedral of St. John the Divine (New York, N.Y.)
The seven Chapels of Tongues, built around the Choir on lines converging
toward the Sanctuary and deriving their name from the fact that they were
intended for services of the church in the languages of the principal
ethnological groups or regions of the world, are one of the noblest
conceptions of the Cathedral. In early Gothic churches, the fundamental
idea of the apse with radiating chapels was Christ in the company of his
Saints. Here, in the great cosmopolitan Diocese of New York, this idea
has appropriately been carried a step further in these chapels to include
the idea of all the nations of the earth gathered around the Altar of the
Saviour of Mankind. They recall the cry of the multitude in Jerusalem at
Pentecost: “How hear we every man in our own tongue wherein we were born
... the wonderful works of God” (Acts ii. 8, 11). Among the interesting
services held in these chapels are those in the eastern (St. Saviour’s)
chapel for the Japanese and Chinese in their languages and for colored
people in English. The spirit fostered by these chapels is occasionally
reflected in great congregations, entirely of Italians, entirely of
negroes, or predominantly of some other race, at services held in the
main part of the Cathedral filling it to its utmost capacity.[33]
Services in English are held in one or more of the chapels every day of
the year, and oftentimes weddings and baptisms are held in them. As a
group, the seven Chapels of Tongues eloquently express the catholic and
democratic spirit of the Cathedral of St. John the Divine referred to on
page 14. They may be visited in order either from south to north or north
to south; but by beginning on the south side they will be seen in the
order in which they were observed on the exterior (p. 31), and by looking
through the archways of the Choir to the opposite side of the Ambulatory,
glimpses may be had of the tapestries and the clerestory windows in the
order in which they have been described. The chapels are all separate
gifts and are memorials of the persons mentioned under their respective
headings following:
The Chapel of St. James
Public-domain text, read in full here on John Shaqi.
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